Writing Update 2022: “Operation Meltwater”

I haven’t shared any writing updates the past couple years, so consider this proof that I haven’t been completely idle. I spent the last couple years completing the edits of my book UPENDED, and I am in the process of trying to get it published. I’ve since written 1/3 of the second book in the series, though I’m still debating where and how I want it to end.

In more recent news, my novelette “Operation Meltwater” is being published on June 7th, 2022, by Baen Books in the anthology ROBOSOLDIERS: THANK YOU FOR YOUR SERVOS. Stephen Lawson, the editor, reached out to me back in the Spring of 2020 and asked me to be a contributor alongside well-known, bestselling, and award-winning authors like David Drake, Richard Fox, Weston Ochse, and Martin L. Shoemaker. The pace of traditional publication being what it is, the final draft of the story was due in the Spring of 2021 with publication slated for 2022. I spent 11 of those 12 months tossing ideas around in my head and the last month actually writing the thing.

Cover by Baen Books

The story itself was a challenge. I was asked to provide a hard sci-fi story set in the near future on Earth or in orbit. That was the easy part. The story also had to be a military sci-fi focused on robotics and other technologies that would be used in the future of warfare. Having never served in the military, unlike most of the other contributors, I knew I had a lot of research to do. Still, I reveled in the challenge of firming up a stereotypically soft science fiction genre. At some point in the history of military sci-fi, most of its authors must have collectively decided to ignore pesky things like physics and biology. See my post on the Science of Space Warfare. “If we all ignore it,” they said to one another telepathically, “we can continue to misrepresent reality to the detriment of our readers and for the totally misguided notion that lack of scientific accuracy improves the plot and narrative.” I have it on good authority that these were the exact telepathic words used. So the fact that Baen wanted hard military sci-fi gave me hope for the subgenre.

At first, I toyed with the idea of setting my story in orbit, in a revolving space station that allowed troops to drop down levels incrementally to experience greater and greater gravity, increasing their muscle mass and endurance for the duration of their training. Another idea involved small, crewed satellites/shuttles designed to drop into combat locations in a matter of minutes. But I didn’t end up going with these stories. There was too little in the way of robotics, and at least two other authors were quicker to claim Earth orbit for their story setting. It was back to the drawing board. After months of wondering what I was going to write, I remembered that I had an entire folder on my laptop full of story ideas. Perusing the file, I saw one idea that was little more than a couple sentences long, involving a square shaped probe capable of melting through Antarctic ice. Past Philip had speculated how such a thing might be able to carve out entire under-ice facilities in a completely automated fashion. Past Philip had also suggested fast nuclear reactors for the energy and heat source. I had to look this up because apparently past Philip is smarter than I am. That lead me down a rabbit hole of researching the first military experiments with fast reactors, especially in cold and isolated environments. This gave me a start, though I still had no military experience to draw from, and there is only so much research I could do to make my main character sound genuine. And then there was the matter of representation. Most of the other contributors had a military background. Pretending to be in-the-know when I was an obvious outsider would have been problematic for multiple reasons. Ultimately, I decided I would not make my main character a member of the military. I would do what I knew best and write from the POV of a scientist. When it comes to technology and warfare, scientists also have their role, and too often that role is overlooked or the scientists’ true intentions for the technology ignored. So that was what this story was going to be about: A scientist out on the East Antarctic ice sheet, testing his prototype NASA probe for its upcoming launch to the Saturn moon of Enceladus, only to find the military had another, more nefarious plan for it.

As with any hard science fiction story, the science needed to be sound or at least plausible. This required many hours of research into the mechanics of modular fast reactors, their coolant systems, neutron moderators, and what would happen if one or more of these systems was compromised deliberately or otherwise. Because I was asked to add elements from my area of expertise, I decided I would throw some biological enhancements into the mix, including transdermal muscle stimulators for building muscle and improving performance. I say “throw in,” but one should never throw in something just because it sounds cool. These tie into the plot and are critical for its resolution. Political science, despite my better judgment, is still a science, so I also needed to make sure it made sense too. Afterall, countries need motivation as much as the soldiers who serve them. This involved many more hours of research into the Russia/US geopolitical landscape, the Antarctic treaty, and obscure articles on what Russia might attempt once it expires in 2048. The whole exercise was a great example of how a story idea evolves, and the importance of answering the most important questions of science, politics, plot, and setting well before any actual writing is done. Had I not done this, I would have had to rewrite much of the story as I stumbled across new information, or worse, I may have been tempted to use unrealistic science to get myself out of a plot hole.

My story is the last in the anthology. And while I don’t have a recognizable name like many of the other authors to be reviewed by the likes of Chicago Sun-Time, SF Signal, and Booklist on the back cover, the editor did go out of his way to say some nice things about my story in the Editor’s Introduction and later on Facebook.

“…hard Science laced with his unique humor in an engrossing adventure tale.” “…full of Philip’s characteristic plot twists, wit, and genuine love of science.” “Combines hard science at the PhD level, humor, and adventure seamlessly into fun stories that leave me feeling like I’ve learned a few things along the way.” “He’s clever the way Michael Crichton was clever, and I know you’ll enjoy his writing.”

~Stephen Lawson

If you’re interested in seeing if any of that is remotely true, I encourage you to give the book a read. You can find it by clicking the link below.

Until next time, write well and science hard.

Writing Update- March 2019

It’s been a productive last few months, and I have some big news to share.

New Anthology Coming Soon.

The first piece of news is that I’ve just had a sci-fi short story accepted in a reprint anthology titled Final Frontier. The editor, C. Stuart Hardwick, reached out to me a while back to see if I had something to contribute. The anthology will be released in time for the 50 year Anniversary of Apollo 11, and Stuart requested I submit a story that “celebrated the indomitable spirit that carried mankind to the Moon.”

I did have just such a story in mind, one featuring a test pilot, a new kind of space craft, lots of danger and excitement, and lots and lots of science. I submitted “Icarus Drowned,” a short story published previously on this site.

The anthology will feature short stories and other works by award-winning authors including Mike Barretta, Marianne J. Dyson, Sean Monaghan, K. B. Rylander, Matthew S. Rotundo, Ronald D. Ferguson, Martin L. Shoemaker, Nancy Fulda, David D. Levine, Patrick Lundrigan, David Walton, C. Stuart Hardwick, and lastly, Spider Robinson, a winner of Campbell, Hugo, Nebula, and Heinlein Awards among others. If that wasn’t an impressive collection of authors already, the Forward will be written by Astronaut Stanley G. Love.

I will be sure to post another update as soon as the book is published. The expected release date is Friday, April 19th, 2019.

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Completion of my new Science Fiction book.

For my second piece of news, I’ve recently completed my latest science fiction novel! The working title is Grounded, and it rounds down to about 100k words. I’ve still got quite a lot of editing and proofing to do before I send it out to agents or publishers, but I’m very pleased with it so far. If you are interested in becoming a beta-reader, feel free to reach out to me. See the Beta-reader edition cover image and book blurb below (Note: This is a working cover just for the Beta-reader Edition. The final, published version will be much more professional, i.e. not put together in less than an hour.)

grounded cover

Working title and cover for the Beta-reader edition

back cover

Working back cover and blurb for the Beta-reader edition

Blurb:

Hundreds of lives were lost to the sky during the Fracture, the result of an experiment gone wrong. In seconds, everything and everyone within a mile of the research facility became completely and irreversibly weightless.

In the aftermath, Kyle and the other survivors are given the chance to join a new space program. With New Heights, they will embark on an expedition to the sky and beyond without gravity to hold them back.

But to make it through training, Kyle must contend with a diverse and inexperienced crew, some of whom want nothing more than to see him fail.

 

I’ve planned for this to be the first book in a series, with subsequent books taking Kyle and the crew of New Heights to Earth’s upper atmosphere, the Moon, Mars, and even to float on the clouds of Jupiter and Venus. I mean, why not? If you no longer felt the pull of gravity, where would you go?

Until next time, Write Well and Science Hard.

Quantum Quietus- Free story

Freestory

As mentioned in a previous post, my short story, “Quantum Quietus,” won 1st place in the 2017 N3F short story contest. They have since published it in Eldritch Science. Since there were no terms of exclusivity, I am free to publish here for you all to read. I hope you enjoy the free story!

Quantum Quietus

By Philip A Kramer

      Joe threw the ball too hard this time. He held his breath as it left the small, inner-city park, and plummeted toward the crowded sidewalk. Even Artemis, his black lab, stopped short and watched its descent.

The ball was seconds away from hitting a man, when the stranger turned, reached out a hand, and caught it.

“Take your pills,” he called and tossed the ball to the waiting dog. The man carried on down the sidewalk, shaking his head.

“Thanks,” Joe called back with an apologetic wave.

He shouldn’t have worried. These days, almost everyone was on Quantanax, the latest drug from Prescience Pharmaceuticals. It gave people the near supernatural ability to see into the future. With just a few seconds of foresight, their reflexes became quick, their actions unerring, and their mistakes erased before they ever happened. They called it Feedback, the new sixth sense.

Had things turned out different, Joe could have been like them. His life would be free of unpredictability and hardship, better in every way. Unfortunately, he was among the small percentage of the population allergic to the treatment.

A sour envy formed in the pit of his stomach. He tried to suppress the feeling; nothing good had ever come of it. His bitterness had pushed away all of his closest friends, ruined his marriage, and made him regret everything he did.

The tennis ball rolled to a stop between Joseph Dunham’s feet. Artemis turned in a quick circle a few feet away and then sat flat on the grass in polite anticipation. Her body quivered with pent-up energy.

Joe’s fond smile was short-lived. They’d have to leave soon. Artemis would chase just about anything that flew, and with more people gathering, he didn’t want her running off with a Frisbee or baseball.

Already a pair of youths had started a game on the tennis court beside the small Brooklyn park. They couldn’t have been more than twelve years old, but they played better than any seasoned athlete Joe had ever seen. There was no end to the advantages of Quantanax.

“Tomorrow,” he told Artemis as he stooped to pick up the ball. He grimaced as his fingers encountered a film of slobber. He placed the ball in the pocket of his windbreaker and withdrew a leash.

All the energy evaporated from the dog when he clipped the leash to her collar.

It was getting dark, and the smell of rain was in the air, making the pub across the street stand out like a warm, bright beacon. The crowded establishment should have turned him off straightaway, but he had gone far too long without human contact, long enough to forget how pointless it was. In the end, he decided he was hungry and could use a drink.

He tugged the leash and trotted across the street between cars. He was not worried for his life. Even on this highly travelled street in Brooklyn, accidents were rare.

Joe tied off the leash to a bike rack just outside the door to the pub and tousled the lab’s black, floppy ears.

Patrons occupied all of the tables inside, but a few seats remained empty at the bar.

Joe claimed a stool and ordered a drink and a sandwich. The man to his right had his laptop out at the bar, seemingly oblivious to everything around him. To his left sat a woman with large glasses, their dark frames extending below her cheekbones. She wasn’t his type, but a beer or two could change that. He should talk to her, some part of his brain insisted, but instead, he turned his attention to the TV above the bar.

He hadn’t always been this shy, but these days he regretted every word out of his mouth. Without the feedback granted by the treatment, he had no way of knowing what effect his words would have. Everyone else could stop themselves from making a social blunder, but he would always be a blabbering idiot.

The bartender arrived with his drink, but as he accepted the beverage, a bit of it sloshed onto the bar-top. A towel appeared from the bartender’s back pocket, and he mopped up the spill. Joe offered a quiet apology.

When the bartender withdrew his hand, a bright yellow pill sat on the bar.

“We all forget to take it sometimes,” the bartender said.

Joe grunted and nodded his thanks. He swept the pill from the bar, pretended to pop it in his mouth, but slipped it into his pocket instead.

Ever since the government had subsidized the Quantanax, everyone was handing it out like candy, candy that could kill him in minutes. As if he weren’t enough of an outcast, this same government now mandated that people like him wear a medical bracelet because of their propensity for accidents. Joe never wore his. This small act of rebellion was all he had left.

Just then, a scattering of applause rose out of the comparative quiet. On the TV above the bar, a Yankee batter hit a home run a moment later and began running the bases.

Joe settled in to watch as he waited for his food. He enjoyed baseball more than he ever had before, though he usually watched when not in the company of people who would moan or applaud before the ball left the pitcher’s glove. Forbidden from receiving Quantanax, the players always displayed genuine surprise and frustration. Even these famous and talented players spilled their beers, Joe told himself.

Then, all around him, conversations trailed off, and the TV went dark. A tall figure walked onto the screen. A white mask obscured his face, and he wore only white clothing. The man glowed in the darkness, illuminated by some hidden black lights. The mask made his eyes look like deep, black pits, and the line of his mouth, a chasm.

“Greetings, New York,” the figure said in a voice that was more robot than human. The slit of his mouth did not move with the words.

“What’s this?” said the man to Joe’s right, breaking his trance.

“Some sort of advertisement?” Joe hazarded.

“I’m delighted to see humanity ascend into the Quantum Era.” The man on the screen continued in his digitally synthesized voice. “It’s a glorious time for our society. We’ve come a long way these last few years. Murder, suicide, and countless other preventable deaths are at an all-time low. We now excel at everything we do and have few regrets. Our lives are finally falling into place.”

Joe became more and more certain that this was an advertisement, a reveal of the latest version of Quantanax. This man would promise to make everyone’s lives even better, while Joe, and those like him, fell further and further behind. He glanced out the window to see Artemis, tangled in her leash. Rather than attempt to extricate herself, she slumped to the ground and licked at her paw. Joe considered getting up and leaving, but the air in the bar had become tense and uncertain.

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“But, unfortunately, this makes us more vulnerable than we’ve ever been before.” The man reached out as if to pinch something, and then with a swift motion, a cart materialized. It wasn’t magic, but a black cloth, making the cart invisible under the glow of the black light. Atop the cart sat a large, cylindrical device with a metallic sphere in its center.

Gasps and moans of dismay erupted throughout the room.

“I have hidden this nuclear weapon somewhere in this city.”

It was now Joe’s turn to gasp, and the man next to him spewed a mouthful of beer onto his laptop.

“Is he serious?” the man asked between curses as he attempted to mop up the beer on the keyboard.

Joe didn’t answer. A knot of terror had formed in his throat.

“I’ve armed the bomb with a quantum random number generator,” the white clothed figure said. His gloved fingers encircled a small handheld device on the cart and lifted it to eye level. “It could detonate the moment I press this button, or any time in the next twenty-four hours. It’s impossible to say. If humanity continues to allow the principles of quantum uncertainty to direct our future, it will discover just how uncertain that future is.”

Anguished cries filled the room as the man lifted his thumb and brought it down onto the button.

People fell. Joe’s head swiveled from side to side, mouth agape as the other patrons crumbled to the ground or slumped in their chairs. To a one, their limbs jerked from side to side as if to fend off some unseen threat. Above the screams and the staccato thumps of bodies and chairs hitting the floor, he could hear Artemis barking from outside and the sound of cars crashing into one another.

The woman with the large glasses struck her head on the bar as she fell. Joe leapt down from his seat to kneel over her. Her glasses lay broken beside her, and blood streamed from a gash above her eyebrow. She continued to spasm and flinch, oblivious to the injury.

The man on the TV spoke again, his voice calm and robotic.

“Those of you hearing me now, for one reason or another, you have chosen not to partake in the treatment. You have inherited this city. You can leave it or stay, that is up to you.”

The station returned to its regular broadcast.

Fallen bodies littered Yankee stadium. The players on the field, banned from the treatment as they were, wheeled in slow circles. Their fans, who had been cheering for them moments ago, now convulsed in their seats.

The woman in front of Joe curled into the fetal position, her body still spasming. Her heart thundered beneath his hand where it rest on her back.

“What’s happened to them?” Joe asked. His mouth had gone dry, and the words came out as a quiet rasp.

“They’re experiencing their deaths.”

Joe turned to see the other man from the bar. He was wearing a loose red tie and an unbuttoned blazer. He gaped at the chaos around them. They were the only two not writhing on the ground.

“What?”

“To them, the bomb is detonating every second,” the man said.

“But the bomb hasn’t gone off.”

“Not in our reality.”

Joe didn’t waste time puzzling over the man’s words. Seeing the woman would not hurt herself, he stood and went to check on Artemis, who was barking with increasing insistence.

After untangling Artemis from her leash, he pulled her in the direction of their apartment. Dozens of cars had piled into each other outside the bar, their occupants seizing. As he trotted across the street, shattered safety glass crunched beneath his feet, and a lone hubcap rolled to a stop a few feet away.

“Where are you going?” called a voice from behind him.

“Leaving,” Joe said, not looking back. The thought of a bomb in the city, one that could go off at any second, filled him with an irresistible urge to get out, to see the city shrink in his rear-view mirror.

“We can’t leave. What about all of these people?”

Joe slowed to a stop on the other side of the street and brushed a cold raindrop from his cheek. How could he possibly help them? They were all dead weight. Then he thought of the women in the bar. She was small and light enough to carry as were the two youths he’d seen in the park.

“I’ll try to get a few people in my car, leave the city. You said it was the bomb doing this. If I drive far enough…”

“Not with roads as they are. You’ll never get out in time.”

Joe hung his head. If all of the roads looked like this one, walking was the only way out, and then he could only save himself.

The man stepped out from the shelter of the bar. Rain spotted his red tie, and a growing breeze tousled his brown hair. His eyes studied Joe.

“We have to find the bomb and shut it down.”

Artemis stared up at Joe with dark, worried eyes that blinked as rain pelted her black fur.

He had friends and coworkers in this city. There were babies out there crying for their parents. All of his problems: his allergy, his failed relationships, they were nothing compared to the raw torment of those inside the bar.

Joe met the man’s eye and nodded.

The man sighed.

“What’s the plan?” Joe asked as he walked back to the entrance of the bar.

“We need to narrow down the search area somehow. There are tons of live traffic and weather cameras all over the city. If I see people unaffected, they are probably too far away from the bomb. The bomb should be near the epicenter.”

“That sounds like it’ll take a lot of time.”

“We already have two data points. If it is affecting those here and the stadium, its epicenter should be somewhere in Manhattan. I can try to narrow it down as we walk.” The man glanced at his laptop on the bar as if to reassure himself the other patrons were not going to steal it, and then started walking.

Heart racing, Joe followed. Never in his life would he have guessed he’d willingly travel in the direction of a bomb.

While they walked, rain darkened the sidewalk. His companion slouched over his phone to keep off the rain as he searched live traffic feeds. Joe slowed as they crossed an intersection littered with broken-down cars. The vehicles that hadn’t already crashed were idling forward, grinding alongside other cars until they encountered something immovable. Their occupants twitched and thrashed just as violently as those on the sidewalks.

“You said they were experiencing their deaths. How?”

“Do you know how the Quantanax works?” The man asked, not looking up from the phone.

“Not really,” Joe replied. He was an electrician, not a scientist. He had heard peoples’ accounts of the experience though. It was like waking up, they said, a sudden restoration of all senses and emotions. Some called this the quantum era, but most called it the Awakening.

“It’s in the name. ‘Quanta’, for quantum state, and ‘Na,’ the atomic symbol for sodium. The drug binds to and activates sodium channels in the brain. There are two electrons in the molecule that become quantum entangled. There are some complicated physics involved, but simply put, this entanglement occurs over time, not distance. When they experience something, it activates sodium channels a few seconds in the past, making their neurons fire and imparting a kind of foresight.”

“But more than a few seconds have passed and there hasn’t been an explosion.”

“That’s where the other realities come into play. You’ve probably heard the argument before. If this drug gives you the power to change the future, was it really the future to begin with? If you stomp on your brakes to avoid a car accident, where does the feedback come from now that you’ve prevented the accident?”

“So you change the future, so what?”

“Breaking causality causes all kinds of contradictions. The only way it can happen is if the Many Worlds Interpretation is true. For every decision, for every instance of quantum uncertainty, a new reality is made, one where you were always going to slam on your brakes.”

“So… they’re experiencing an explosion in another reality, but then they come here, to a version of our world where the bomb hasn’t gone off yet?”

“Precisely. It’s the timer he’s got on that thing that makes it so terrible. If a random quantum event triggers the explosion, it will happen in every reality, but at a completely random time.”

“How do you know all of this?” Joe asked.

“I’m a reporter. I’ve done a few stories on the dangers of Quantanax.” His voice turned bitter. “Not that anyone’s ever read them.”

“Is that why you didn’t get it?”

The man shook his head.

“Allergic,” he said, lifting his arm. A golden medical bracelet hung from his wrist. He gave Joe a knowing smile. “Same as you I suspect. I saw you put that pill in your pocket.”

Embarrassed, Joe nodded. For once, he didn’t receive a look of pity, but one of understanding. This man knew what it was like to be an outcast.

The sidewalk transitioned into a walkway made of worn wooden boards as they came to the Brooklyn Bridge. The prone bodies of native Brooklynders became those of tourists with selfie-sticks. They all experienced the same symptoms, their limbs beating against the wooden walkway in a sound that was indistinguishable from the patter of the rain. Beyond them towered the massive skyscrapers of Manhattan.

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They stepped around one couple who had huddled into one another’s arms.

Joe frowned and took out his phone.

“Who are you calling?” the man asked as Joe put the phone to his ear.

“My wife.”

“If she’s in the city…”

“She lives in Phoenix with her mom.”

The phone rang, and Joe took a deep breath. It had taken all of his willpower not to call her these last few months, but now that it was happening, he wished he had done it sooner. If he didn’t survive this, there was something he needed to say.

“Well this is a pleasant surprise,” his wife said.

“Ana, can we talk?”

“Joe? Joe?” Confusion replaced the sarcasm in her voice.

“I’m here,” Joe said. He glanced at his phone to make sure he hadn’t pressed the mute button.

“Sorry, Joe. Give me a second. I’m feeling dizzy.”

Joe waited a few breaths, but couldn’t wait any longer. The bomb could take this last opportunity away from him.

“We need to talk.”

“Now? Why?” She let out a breath. “I’m sorry, Joe, but I’m feeling really strange right now. Can I call you later?”

“There might not…” he stopped himself from saying there might not be a later. “It’s important.”

“Is she experiencing feedback?” His companion asked. Joe looked up to see the man’s brow furrowed and eyes wide. Joe had fallen back a few paces for privacy, but it hadn’t stopped him from eavesdropping.

“Who is that? Who are you with?” Ana asked.

Joe cursed silently at the interruption.

“This is, uhh.” He’d never gotten a name.

“Hugh.”

“Hugh,” Joe repeated. “He was just asking if you were getting some feedback?”

At Hugh’s urging, Joe put his phone on speaker and held it flat between them. Fat drops of rain pattered against the screen, leaving domes of water that magnified its red, blue, and green pixels.

“It does kind of feel like feedback. Are you guys doing this? It isn’t funny, Joe. It’s giving me a headache.”

Artemis barked and panted at the sound of Ana’s voice. Like Joe, she hadn’t heard from or seen Ana in months.

“It’s not me,” Joe said defensively. He raised his eyebrows at Hugh in question, but the man’s eyes were fixed on the phone.

“What does it feel like?” Hugh asked.

“I don’t know. Confusion? Maybe a bit of anger? It won’t go away. I can hear you just fine, but I keep trying to pull the phone away from my ear to see if you’ve hung up on me. Do you know what’s causing this?”

Hugh finally pulled his eyes from the phone and gave Joe a tight-lipped frown.

He didn’t need to explain it to Joe. She was hearing them die, killed by a bomb that hadn’t gone off yet.

“Have you seen anything in the news?” Joe asked.

“No, I just got home from work.”

“Put her on video chat?” Hugh said, tapping Joe’s shoulder excitedly.

Joe resisted the urge to shrug off his hand.

“No. Why?”

“I’m not video chatting,” Ana said, overhearing Hugh’s request. “Are you going to tell me what’s going on?”

“Someone hid a bomb in the city,” Hugh blurted and Joe gritted his teeth. He hadn’t wanted to worry her. He wanted to say his last words and hang up. She would have thought him drunk and dismissed it, at least until news of the city’s destruction reached her.

“A bomb? Did I hear that right?”

“A Nuke.”

“Shut up,” Joe hissed as he nudged Hugh with an elbow. “She didn’t need to know.”

Hugh stopped. Rather than look offended, his expression was serious.

“We need her help. I know how to find the bomb, but we need to video chat.”

Ana was saying something, but Joe had pressed the phone to his chest to keep her from overhearing.

“What happened to your plan?” Joe asked. Hugh’s phone had disappeared. He had abandoned all attempts to triangulate the bomb through traffic and weather cameras.

“That was going to take too long. This will be faster, and every second counts. Trust me.”

Joe stared into his eyes for a long moment. He couldn’t trust a man he’d just met, but he couldn’t deny his logic. If the bomb was going to detonate in the next twenty-four hours, Ana’s discomfort was a small price to pay for locating it in time.

Joe lifted the phone from his chest.

“Ana. Sorry about that. Listen, I need to video chat. Just for a minute. Please.”

“I’m not video chatting, Joe.”

“It’s a matter of life and death,” Hugh said.

“Fine,” she said, heaving an exasperated sigh. “But if this is some kind of prank, I’m never talking to you again.”

She’d agreed. Anxiety formed a knot in his stomach. How any emotion could rise above the terror of having an armed nuclear weapon nearby was a mystery.

The call-in-progress screen on his phone displayed a new message.

Accept Video?

Joe’s thumb trembled over the yes button for a moment before committing.

“You better be right about this,” he said to Hugh as the video connection was made.

He angled the phone toward him.

Ana’s face filled the screen and his chest ached at the sight of her. Her features were lit by a lamp in the corner of the room. Behind her was the unsightly backdrop of green and yellow wallpaper that adorned her mother’s living room.

Ana’s cheeks had gotten fuller since he’d seen her last, and her eyes were no longer heavy with fatigue. She looked healthy and radiant. Until now, he’d never fully realized how destructive he’d been to her health and career. She was supportive of his allergy in every possible way. For a long time, she resisted getting the treatment, but when her colleagues at her firm rose in rank, leaving her behind, he’d encouraged her to take it. The drug changed her the same way it changed everyone.

One day they’d argued, and she asked him a simple question. She asked if he loved her. He could see the disappointment in her eyes even before he opened his mouth to reply. He didn’t know what he’d been about to say, or if he gave her an answer at all. Whatever feedback she’d received, his answer hadn’t been the right one. She left the next morning.

The moment Ana’s video loaded, she flinched and turned her face away. A second later, she peered at him through her eyelashes.

“God, what is that?”

Hugh pressed close, coming into frame.

“What is it? What do you see?”

“I can barely keep my eyes open. What is that?”

Hugh pumped his fist in victory.

“It’s your light reflex.”

“She’s seeing the light of the bomb?” Joe asked, incredulous.

“Not exactly. The light doesn’t exist in our reality. She’s receiving feedback from an explosion in another reality.”

“What are you talking about?” Ana asked.

Without asking, Hugh snatched the phone from Joe’s hand.

“Ana, right? I need you to tell me when the instinct gets worse… or better.”

Hugh made a little cone with his hand and placed it over the camera to display only a thin wedge of the Manhattan skyline. He then revolved in a slow circle.

“Are those people? Why are they on the ground?”

“Just tell me when it gets worse. Warmer?”

Joe shook his head. Hugh wanted to play a hot and cold game with a nuclear bomb.

It took a few slow revolutions before his wife responded to the odd request.

“Yeah. There. There’s the worst.”

“Alright. It looks like it’s coming from somewhere in Midtown.” He handed the phone back to Joe. “We can make it there in an hour if we hurry.”

Joe gawked at Hugh, who was now jogging down the bridge. His ridiculous plan had worked.

When Joe lifted the phone to eye level, Ana was pinching the bridge of her nose and looking like she might throw up.

“Joe? Is it true? Is there a bomb in the city?”

“Yes. A terrorist made the broadcast about twenty minutes ago. The thing’s on a timer that… well, I don’t know how it works, but it’s incapacitated everyone with the treatment.”

“And you’re trying to find it?” she said, her voice trailing off in horror.

“Yes.”

Her response was immediate. She clutched the fabric of her blouse to her chest, and tears formed in her eyes.

“Oh, god. Something else is happening. The feedback…”

Joe frowned. He hadn’t considered this. Now that she knew what she was seeing, she was experiencing the emotional feedback of his death. He couldn’t help but wonder if this meant she still had feelings for him.

“Then I’ll let you go. I’ll call when this is all over.”

“Joe.” Through her moistened eyelashes, Ana peered at him. “I wish you were here.”

That did it. The answer to the question she’d asked so long ago spilled free.

“I love you, Ana. I’ve never stopped. I’m sorry for everything I put you through. You deserved so much better.”

“Don’t say that, Joe. This isn’t goodbye.” Her tears came faster, unchecked.

He smiled sadly.

“I miss you. Artie misses you. As soon as this is over, I’ll be on the next flight to Phoenix. I will make you proud, I promise.”

For the first time in years, he had a sense of purpose. His allergy had made him an outcast, but now the entire city was relying on him.

They ended their call, and he and Artemis ran to catch up with Hugh.

Hugh had reached the end of the bridge before Joe caught up. Rather than continue their jog, the man stopped beside a tourist.

“Notice anything different?” Hugh asked breathlessly.

Joe took a step forward, and Artemis sniffed the prone body of the tourist. A shattered camera lay on the sidewalk beside him. He was different from the others. Rather than involuntary spasms, all of his muscles were rigid. Sweat or rain created rivulets of moisture down his forehead.

“What’s wrong with him?”

“Their spasms have grown closer together as we’ve walked. I think they’re reacting to the light of the bomb, but only until the blast wave kills them. This guy’s only had enough time to tense his muscles before he dies in those other realities.”

Joe thought he might be sick.

“What’ll happen to them when we get closer?” He asked, swallowing bile.

Hugh shrugged.

“I don’t know. But so long as the symptoms are changing, we can narrow down the location even more.”

Joe tugged Artemis’ leash, cutting short her inspection of the tourist, and the three of them continued into the city.

As they traveled though Lower Manhattan, the symptoms lessened. The total paralysis gave way to a city of the blind. According to Hugh, they had only enough time to blink before the blast wave reached them. It hadn’t even been an hour since these people were going about their day confident they could respond to anything the world threw at them. Now they were helpless, walking into walls or sitting on the curb and crying, their eyelids unresponsive to all attempts to open them.

Just a block north of Madison Square Park, they encountered a crowd of people who seemed entirely unaffected. Those who had umbrellas milled about in the steady rain as they read the horrifying news on their phones or conversed with others. Anyone who tried to leave the area instantly experienced symptoms.

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“These people don’t even have time to process an explosion before they die, so the Quantanax doesn’t give them any feedback,” Hugh whispered as they wove through the crowd that had gathered near one of these invisible boundaries.

One man was so distracted by the content of his phone he tripped on the curb and fell to the sidewalk. Rather than stand up, he sat there, jaw gaping at the sight of his skinned palms and broken phone.

It appeared the people nearest the bomb received no feedback at all.

They continued along Fifth Avenue until they encountered a similar crowd just blocks away from the Empire State Building. Hugh turned around and gestured at the buildings lining the street back the way they had come.

“It has to be a building in the middle of these two crowds,” Hugh said. “In the basement, I’d guess.”

“How do you figure?”

“The broadcast was in a large, dark room, but all of these buildings have windows.”

It was better than any of his ideas, Joe thought.

Street lamps had come on, and the rain was letting up as they made their way to the entrance of a large brick building in the center of the two crowds. Once through the revolving door, Artemis shook off the dampness from her fur in a shower of droplets. Joe absently patted her head.

Bright fluorescent lights illuminated directories for law offices and medical specialists, and a vacant reception desk in the lobby.

They moved to the nearest stairwell.

Before they opened the door, Joe unclipped his multi-tool from his belt. He’d forgotten to remove it after work.

Hugh watched with brows raised as Joe flipped out the knife.

“He could still be down there.”

Hugh nodded and gestured for Joe to go ahead of him.

Joe breathed and took the first step into the stairwell. He had never come face to face with a terrorist. Things like this happened a world away, not here at home.

The sound of their footsteps as they descended the stairs made Joe clench his jaw until his teeth ached.

On the door at the bottom of the stairwell, an Authorized Personnel Only sign greeted them. He gathered his courage and pushed through the door.

Inside, a black light set into the rafters made the room glow in a false light. On one side of the room was a storage area for tables, chairs, boxes, and old computers. Among these was a camera mounted on a tripod. Centered in the camera’s field of view sat a cart holding the large cylindrical shape of the bomb.

They had found it. As he stared as the weapon of mass destruction, Joe wasn’t sure if he should be relieved or terrified.

Hugh walked to the bomb and made a couple circuits of the cart, examining it with a critical eye.

Artemis tugged at the leash as if she too wanted to explore the room. Joe swallowed his unease and unclipped Artemis from her leash. Once free, she darted into the room, sniffing every surface as if she hoped to stumble onto something edible. If there was a terrorist lurking in the shadows, she would root him out. He watched her disappear into the darkness, her black fur reflecting little of the black light.

From behind the cart, Hugh lifted the remote detonator.

“Found it.”

“Think you can disarm it?” Joe asked as he approached the cart. He set down his knife and leaned close to examine the handheld device. It was slender, but simple in shape, with a dim red light glowing on the side, and a black button on top.

“I don’t see any other buttons,” Hugh said, holding the device away from him like a snake.

Joe bit his lip. It was against his nature as an electrician to press buttons on unfamiliar devices, but they couldn’t afford to waste more time. After a few seconds passed, he gave Hugh a single nod.

“Here goes nothing, then.”

Hugh pressed the button, and the faint red glow of the LED faded. He let out a long sigh.

A knot of anxiety unraveled within Joe, and he sagged in relief. They had disarmed the bomb. They were heroes. He could only imagine the look on Ana’s face when he told her of this.

As Hugh replaced the remote detonator on the cart beside the bomb, Joe took a few steps further into the room and squinted into the darkness, looking for Artemis. He saw her sniffing the floor just beside the camera tripod.

Curious, Joe approached the setup.

“Shouldn’t you leave that to the police?” Hugh asked, but Joe had already turned on the camera.

There was only one video file, the one the terrorist had filmed. He was about to turn off the camera, but saw the file details.

“That’s strange. It says the video was recorded yesterday.”

Hugh shrugged.

“So?”

Joe picked up a dangling cord that could have plugged into a computer.

“So it means he recorded the video and then broadcast the message a full day later.”

“He probably didn’t want to be in the city when he activated the bomb.”

Joe shook his head. It didn’t make sense. The terrorist would have had to broadcast the video and then activate the bomb at the same time he pressed the button in the video. But if he took the remote detonator with him, how had Hugh found it here.

Hugh was looking at him, his head tilted. The black light made the man’s eyes appear black, and the white button up shirt shone brightly from within the confines of his blazer.

Joe stiffened.

He remembered when he’d first seen Hugh, sitting at the bar with his laptop open, watching the TV. Hugh claimed to be a reporter, one of the few people who knew how to broadcast a video from anywhere.

Whatever Hugh saw in Joe’s eye, it made him slump in defeat.

Joe stepped forward, but Hugh was faster. He snatched the knife off the cart and brought it between them.

Joe stopped, staring at the blade in a nauseating mixture of anger and fear. How had he not seen it sooner?

“You’re very perceptive, Joe. Damn how I wish you weren’t. Do you know how long I sat in that bar waiting for someone like you to come along?”

Joe shivered. Hugh had been waiting, waiting for someone to spill their beer or show some other sign of not taking the treatment.

“You had the detonator this entire time,” Joe said, his voice trembling. “But why activate the bomb if you intended to turn it off? Why bring me into this?”

Hugh’s lips pinched together.

“As vocal as I’ve been about the treatment, people would have suspected me. But with you as my witness, placing me far from the bomb,” Hugh shrugged. “I’d be in the clear.”

“Is that what this is about? You wanted to be a hero? You wanted me to tell your colleagues how you solved the mystery, how you were right about the treatment all along?”

“I’m not the bad guy here, Joe. This is bigger than you or me. Prescience Pharmaceuticals has known about their drug’s weakness for years, but they’ve done nothing. And now our enemies have figured it out. Can you even imagine how much they hate this drug? Our economy has boomed, and our soldiers are indestructible on the battlefield.” Hugh gestured at the bomb. “But with one of these, our enemies could have marched an army into our cities with no opposition. They would have done it too, had I not talked them into a compromise. They gave me a bomb, and I made sure everyone stopped taking the drug. Now that I’ve exposed the weakness, nobody will touch Quantanax again. After today, things will go back to the way they were before.”

Joe was at a loss for words. Joe knew anger and resentment, he had allowed his jealousy to estrange all those he knew and loved. He would have done anything to be like them, to be free of the allergy. But Hugh had gone too far. Joe didn’t care how Hugh rationalized it; he had risked the lives of millions of people so he wouldn’t be an outcast anymore.

“So what now?”

Hugh looked around the room, his expression souring.

“I didn’t want to do this, Joe. I can live without the credit of disarming the bomb. But if I let you leave, I’ll be a fugitive within the hour.”

“So you’ll kill me then?” He said, his words reticent and quavering.

“I’ll make it quick, I promise.” To his credit, he sounded sincere and apologetic.

Joe had made a promise too. He told Ana he’d make her proud. Weakness or no, Quantanax had prevented millions of accidental deaths, reduced the rate of murder, gambling, and made people great at almost everything they did. It had made his wife happy, something he had tried and failed to do. Taking that away from humanity was inexcusable. Joe would not let Hugh walk away from this.

Joe fingered the cloth above his pocket, feeling the round edge of the pill the bartender had given him. He reached into his pocket and withdrew the yellow pill. Before he could give it a second thought, Joe tossed the pill into his mouth, and tilted his head back. He swallowed.

Hugh had ceased his advance, and the tip of the knife lowered.

“What are you doing? It’ll kill you.”

Joe took a deep breath and clenched his fists by his sides.

“But it will kill you first.”

Ghostly sensations flooded over him.

An icy dampness pressed against his hand, making him look down. Artemis approached from behind and nuzzled his hand with her nose. Then there was a sudden pressure against his leg, and Artemis sat down and leaned her weight against him.

This was Feedback. This was the Awakening.

He ruffled her floppy ears and smiled.

Hugh took a step back, but Joe was already giving chase.

There was a sudden pain in his right side, causing Joe to flinch back in time to avoid the tip of the knife as it flashed toward him.

Joe made to grab for the knife, but paused when a surge of disappointment struck him. He redirected his hand a little, and there it was: satisfaction. He followed the feedback until his hand closed over Hugh’s wrist.

Joe ducked to avoid a punch to the head, and without see it, pivoted his hip to block a raised knee. Joe twisted underneath Hugh’s arm, never letting go of the wrist, and Hugh’s shoulder let out a creak and then a sudden pop. Hugh screamed and dropped the knife to the floor.

Out of nowhere, a heart-stopping terror enveloped him. Joe looked over just in time to see Hugh reaching for the cart. The detonator.

Joe leapt for it, but he was too late. Hugh’s hand closed over the device, and his thumb pressed the button.

All feedback stopped.

Joe staggered forward and blinked when all of his sensations became a thing of the present.

The bomb was erasing the feedback.

When he wheeled around, Hugh leaned back and threw the detonator. It sailed into the darkness of the basement to clatter to the ground on the opposite side of the room, outside the illumination of the black light.

Joe dove and together they fell to the floor in a tangle of limbs.

A fist made contact with Joe’s temple, stunning him. When his vision snapped back into focus, he found his hands around Hugh’s throat. He squeezed.

Hugh pried at Joe’s fingers, but with only one uninjured arm, he could gain no leverage. Instead, he clawed at Joe’s face.

Joe didn’t let go, and soon Hugh’s futile attempts to dislodge him slowed and then stopped.

Even after the light left Hugh’s eyes, Joe remained atop him, his hands squeezing until they ran out of strength.

Joe rolled off Hugh, and tried to crawl across the floor toward the detonator, but he didn’t make it a dozen feet before he collapsed. A shroud of darkness formed around the periphery of his vision and he desperately sucked air through his closing windpipe. This was anaphylaxis, he thought dimly.

Hugh had thrown the detonator too far, too far for him to reach in his current state. It was lost in a place where nobody would find it.

His only comfort was that, in at least one reality, he had disarmed the bomb, had made his wife proud of him.

Something rolled to a stop beside him. Joe turned his head to see Artemis sit down a few feet away. Under the black light, slobber glowed on the handle of the detonator.

She could never resist chasing something thrown near her.

Breathless and panicked, he took the detonator in his trembling fingers, for once uncaring of the slobber, and pressed the button.

The red LED faded, and moments later, so did he.

 

I hope you enjoyed the free short story. If you’d like to be notified of my future posts, please remember to follow me here and on Twitter @PhilipKramer9.

Until next time, write well and science hard.

The Post-Apocalyptic Tourist’s Guide to Seattle

I’m excited to share the news. I’ve just completed a new project, and it is now available for pre-order on Amazon!

Let me give you a rundown.

The Post-Apocalyptic Tourist’s Guide Series.

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I met Stephen Lawson back in May at the International Space Development Conference. If you recall, he was the runner-up for the Jim Baen Memorial Short Story Award. A couple of months later, he reached out to me with an idea for a project. He came up with The Post-Apocalyptic Tourist’s Guide, a series following a young man, Thursday Forrester, as he treks across a post-apocalyptic United States in search of a cure that will save his life.
Stephen’s idea was straightforward. He would introduce the character, the setting, and the stakes in his first installment of the series. As Thursday traveled, other authors would be in charge of moving Thursday through their own cities, progressing the plot, and moving him closer to his final destination. Stephen has a lot of author contacts and managed to recruit the following authors for the 1st series:
Episode 1- Louisville- Stephen Lawson
Episode 2- St. Louis- David VonAllmen
Episode 3- Utah’s Deserts- Dustin Steinacker
Episode 4- The Mojave Desert- Sean Hazlett
Episode 5- Los Angeles- Jake Marley
Episode 6- Seattle- Philip Kramer
That’s right, Seattle is the location of the cure to Thursday’s mysterious illness, and so I had the honor of wrapping up the series. It’s been a blast planning and coordinating with the other authors. We’ve had to communicate regularly to brainstorm and to avoid inconsistencies and plot holes. They are all award-winning authors and have written great stories. Click the links above to purchase their episodes.
Stephen also reached out to the award-winning illustrator Preston Stone for the original cover art and logo.

TPATG_Seattle_cover

Cover by Preston Stone. ©Stephen Lawson 2017. Click image to be directed to purchase page.

The Series Blurb.

They descended from the infinite void of space, annihilating cities and destroying the foundations of modern civilization. Black nanoswarms fed like a locust plague on anything with an electromagnetic signal, wreaking havoc on the lifeblood of human industry. Then, as quickly as they came, the invaders mysteriously died, leaving humanity with nothing but savagery, starvation, pestilence, and death in their wake. Spurred by a life-threatening illness, a young man named Thursday Forrester chronicles his harrowing journey through a land riven by violence and superstition.

Episode 6 Blurb.

When the alien invasion ended, humanity strove to mend their broken world… until they remembered how much they enjoyed war. In Seattle, rival clans fight over territory and resources. Resh, the headsman of the Five Clan, has the power to conquer the entire city, but he has other ideas. He runs. Outside the city, far from responsibility and the risk of assassination, Resh comes across an abandoned hospital. Inside, he finds a young man climbing into a wheelchair. Suffering from a mysterious illness, the traveler makes him a deal he can’t refuse. But Resh takes on more than he bargained for. To help the traveler find the cure he’s after, Resh must return to a city filled with scheming and betrayal, and confront an organization with a terrifying agenda.

Visit www.tpatg.com to learn more about the other episodes!

How to buy.

The Post-Apocalyptic Tourist’s Guide is a six episode series. Episodes will be released on Kindle beginning November 1st, and every two weeks thereafter. Episode 6 of Series 1 — The Post-Apocalyptic Tourist’s Guide to Seattle — will launch on January 10th, 2018. Pre-order here!

Location Scouting.

While I’ve seen quite a lot of Seattle in the past, mostly thanks to my brother, a captain in a local tour boat company, I needed to do more research before writing my episode. Here are a few of the pictures I’ve taken while scouting locations for the story:

 

I hope you enjoy reading the story and please don’t forget to purchase the other episodes in the series.

 

Writing Update-October

fall-in-seattleIt is Fall, a beautiful time of year in Seattle. All the leaves are changing color, and the days are either rainy, sunny, or a bit of both.  I wish I could blame the weather for the late writing update this month, but the truth is, I just forgot. I do have some fun blog posts planned, but you will have to wait till next week to see them.

My works-in-progress.

The thing I love most about this blog is that it allows me to research dozens of topics I would otherwise have no reason to research. In so doing, it has given me more ideas than I know what to do with. These ideas have found their way into my writing and into the outlines of several new works in progress.

In case you missed it in my last post, I am working on a new story called Grounded (working title). Quotidian is more dystopian than sci-fi, but Grounded is very sci-fi. You can read the blurb here. It will be set in the near future, just like Quotidian, but unlike Quotidian, it will be chock full of science and innovation. It has been fun learning all about orbital mechanics and buoyancy and speculating about what will change when gravity has been eliminated. I have even consulted with my uncle, who works for NASA. You will be hearing more about this project in the near future.

Editing.

Quotidian is coming along slowly. In my August update, I had planned to make it through several rounds of edits and several drafts by the end of the year, but I am still wading through the current draft. The hardest part it deciding what stays and what goes. If a subplot doesn’t contribute much to the overall story, character development, or setting, I eliminate it. Unfortunately, this means I have to comb through the draft and remove all mentions of it. The earlier the subplot is introduced, the more there is to eradicate as the story progresses.

Typically writers fall into one of two categories: underwriters and overwriters. I think I am an overwriter, but not to the extreme. As I am editing, my word count is shrinking, but not by much. I think I outlined it well enough that there isn’t a whole lot of extraneous exposition or excessive subplots.

I usually write my entire story as one Word document. It is easier to keep track of the drafts that way verses having a Word document for each chapter. I regularly make new versions of the same document with a new save date to ensure, if I lose one copy or make a significant change, I can return to a previous version if necessary. This has resulted in a huge file of documents over the years. I love graphs, so I plotted the word count for each of my document versions over time to get an idea of my writing pace and speed:

quotidian-word-count

Word count for Quotidian

The book started relatively high in word count, but this was mainly due to all the notes, outlines, and about a chapter or so of actual story. It was pretty slow to get started because I was finishing Book 2 of the Abyssian. I didn’t start making headway on Quotidian until the end of 2014. Of course, this didn’t last long. I had to graduate. The next several months were spent writing my dissertation and graduating. I started my postdoc about a week after my last day in grad school, and that week was spent packing my bags, leaving Alabama behind, and traveling across the country to Seattle. Once in Seattle, the setting for Quotidian, I felt much more inspired. During the day, I was in lab, but afterwards I would find a quiet place in some nearby café or bar and write, nearly every day, until I completed Quotidian. Now I am in the editing phase, and I am really missing the daily writing. I have since started Grounded, but juggling both is making editing and writing progress pretty slowly.

Thankfully, I get quite a lot of editing and feedback from members of Critique Circle. On this website, I post chapters to my private queue, and my queue members read and critique it. I only have 16 chapters posted so far, but will be putting all of them up by the end of the year. In addition to finding me some alpha readers, CC was able to generate some pretty cool stats for my posted chapters:

readabilityadjectivesnounspronounsadverbsverbsprepositionsdeterminersdistinct-wordsdirect-speech

The readability stats indicate what grade level the reader needs to have in order to understand each chapter. Mine is pretty standard for a book targeting a broad audience, I think. The other stats give me assurance that my writing style isn’t dramatically changing throughout the story, and they show me where I am heavy on description or dialogue. I highly recommend CC to other aspiring writers. When I get into some other editing software, I will be sure to post my reviews and recommendations.

As a side note, I was thinking about starting up a scientific consultant service to cater to writers’ specific story needs. I would probably do this service for free, unless demand rises rapidly. So if you are having trouble figuring out the science involved in your story’s unique context, or if you simply want someone to help you brainstorm, please feel free to contact me. I will likely not be an expert in the topic you need help with, but I do enjoy researching new things.

I am also happy to take suggestions for future blog posts. Any topic related to improving the accuracy and believability of science in science fiction is preferred.

That’s all for today. Back to writing… and editing, I guess.

Wired to write

write

They say that everyone has a story inside them, waiting to be told. As writers, the stories don’t wait patiently; they struggle and fight, driving us to distraction and sleepless nights until we put that pen to paper. But why must we tell stories at all? Where does this urge come from?

We are wired to think in terms of stories. The human brain has about 100 billion neurons, and each one is connected to thousands of others, and each of those quadrillion synapses can be stimulated in many ways and to different degrees. Everything you think, hear, smell, see, and touch, activates more and more connections, culminating in an experience, which is a story in and of itself. Each time you activate a connection, you strengthen it in a processed called long-term potentiation. As we go about our lives, these stories are quite literally shaping our brains.

I think dreams are evidence of this hard-wiring. While we still don’t know why we have dreams, most believe it to be the random impulses of the brain as it performs its routine functions of memory storage, processing, etc. These physiological processes create impulses which flickers through the brain, tracing the most tangible connections. The fact that this results in a dream that takes the shape of a story, however random, illustrates just how integral stories are to our thinking. The same could be said for stream of consciousness writing.

Fascinatingly, we can transfer our own brains’ activity (memories, thoughts, and emotions) to the brains of others. When people read stories, their minds light up as if they had personally lived through the experience. This remarkable ability to learn and to communicate that knowledge to others has ensured the very survival of our species. It has allowed us to sympathize with others, to avoid danger, and to coordinate with each other. From a caveman doodling on cave walls to the slightly-more-coherent caveman writing this post, our survival and success has depended on our ability to communicate. This is not unique to humans. Every organism that exists today has developed the ability to pass along information in one form or another, as small molecules, proteins, DNA, chemical-electrical impulses, sounds, etc.

Given the complexity of the brain and the innumerable ways it can interact with our unique and diverse environments, there are an infinite number of stories to be told. We don’t have one story inside us, we have many. So write! The survival of the human race depends on it.

 

Stories activate our minds

Dreams

Science of story-telling