Writing Update 2022: “Operation Meltwater”

I haven’t shared any writing updates the past couple years, so consider this proof that I haven’t been completely idle. I spent the last couple years completing the edits of my book UPENDED, and I am in the process of trying to get it published. I’ve since written 1/3 of the second book in the series, though I’m still debating where and how I want it to end.

In more recent news, my novelette “Operation Meltwater” is being published on June 7th, 2022, by Baen Books in the anthology ROBOSOLDIERS: THANK YOU FOR YOUR SERVOS. Stephen Lawson, the editor, reached out to me back in the Spring of 2020 and asked me to be a contributor alongside well-known, bestselling, and award-winning authors like David Drake, Richard Fox, Weston Ochse, and Martin L. Shoemaker. The pace of traditional publication being what it is, the final draft of the story was due in the Spring of 2021 with publication slated for 2022. I spent 11 of those 12 months tossing ideas around in my head and the last month actually writing the thing.

Cover by Baen Books

The story itself was a challenge. I was asked to provide a hard sci-fi story set in the near future on Earth or in orbit. That was the easy part. The story also had to be a military sci-fi focused on robotics and other technologies that would be used in the future of warfare. Having never served in the military, unlike most of the other contributors, I knew I had a lot of research to do. Still, I reveled in the challenge of firming up a stereotypically soft science fiction genre. At some point in the history of military sci-fi, most of its authors must have collectively decided to ignore pesky things like physics and biology. See my post on the Science of Space Warfare. “If we all ignore it,” they said to one another telepathically, “we can continue to misrepresent reality to the detriment of our readers and for the totally misguided notion that lack of scientific accuracy improves the plot and narrative.” I have it on good authority that these were the exact telepathic words used. So the fact that Baen wanted hard military sci-fi gave me hope for the subgenre.

At first, I toyed with the idea of setting my story in orbit, in a revolving space station that allowed troops to drop down levels incrementally to experience greater and greater gravity, increasing their muscle mass and endurance for the duration of their training. Another idea involved small, crewed satellites/shuttles designed to drop into combat locations in a matter of minutes. But I didn’t end up going with these stories. There was too little in the way of robotics, and at least two other authors were quicker to claim Earth orbit for their story setting. It was back to the drawing board. After months of wondering what I was going to write, I remembered that I had an entire folder on my laptop full of story ideas. Perusing the file, I saw one idea that was little more than a couple sentences long, involving a square shaped probe capable of melting through Antarctic ice. Past Philip had speculated how such a thing might be able to carve out entire under-ice facilities in a completely automated fashion. Past Philip had also suggested fast nuclear reactors for the energy and heat source. I had to look this up because apparently past Philip is smarter than I am. That lead me down a rabbit hole of researching the first military experiments with fast reactors, especially in cold and isolated environments. This gave me a start, though I still had no military experience to draw from, and there is only so much research I could do to make my main character sound genuine. And then there was the matter of representation. Most of the other contributors had a military background. Pretending to be in-the-know when I was an obvious outsider would have been problematic for multiple reasons. Ultimately, I decided I would not make my main character a member of the military. I would do what I knew best and write from the POV of a scientist. When it comes to technology and warfare, scientists also have their role, and too often that role is overlooked or the scientists’ true intentions for the technology ignored. So that was what this story was going to be about: A scientist out on the East Antarctic ice sheet, testing his prototype NASA probe for its upcoming launch to the Saturn moon of Enceladus, only to find the military had another, more nefarious plan for it.

As with any hard science fiction story, the science needed to be sound or at least plausible. This required many hours of research into the mechanics of modular fast reactors, their coolant systems, neutron moderators, and what would happen if one or more of these systems was compromised deliberately or otherwise. Because I was asked to add elements from my area of expertise, I decided I would throw some biological enhancements into the mix, including transdermal muscle stimulators for building muscle and improving performance. I say “throw in,” but one should never throw in something just because it sounds cool. These tie into the plot and are critical for its resolution. Political science, despite my better judgment, is still a science, so I also needed to make sure it made sense too. Afterall, countries need motivation as much as the soldiers who serve them. This involved many more hours of research into the Russia/US geopolitical landscape, the Antarctic treaty, and obscure articles on what Russia might attempt once it expires in 2048. The whole exercise was a great example of how a story idea evolves, and the importance of answering the most important questions of science, politics, plot, and setting well before any actual writing is done. Had I not done this, I would have had to rewrite much of the story as I stumbled across new information, or worse, I may have been tempted to use unrealistic science to get myself out of a plot hole.

My story is the last in the anthology. And while I don’t have a recognizable name like many of the other authors to be reviewed by the likes of Chicago Sun-Time, SF Signal, and Booklist on the back cover, the editor did go out of his way to say some nice things about my story in the Editor’s Introduction and later on Facebook.

“…hard Science laced with his unique humor in an engrossing adventure tale.” “…full of Philip’s characteristic plot twists, wit, and genuine love of science.” “Combines hard science at the PhD level, humor, and adventure seamlessly into fun stories that leave me feeling like I’ve learned a few things along the way.” “He’s clever the way Michael Crichton was clever, and I know you’ll enjoy his writing.”

~Stephen Lawson

If you’re interested in seeing if any of that is remotely true, I encourage you to give the book a read. You can find it by clicking the link below.

Until next time, write well and science hard.

Writing Update- March 2019

It’s been a productive last few months, and I have some big news to share.

New Anthology Coming Soon.

The first piece of news is that I’ve just had a sci-fi short story accepted in a reprint anthology titled Final Frontier. The editor, C. Stuart Hardwick, reached out to me a while back to see if I had something to contribute. The anthology will be released in time for the 50 year Anniversary of Apollo 11, and Stuart requested I submit a story that “celebrated the indomitable spirit that carried mankind to the Moon.”

I did have just such a story in mind, one featuring a test pilot, a new kind of space craft, lots of danger and excitement, and lots and lots of science. I submitted “Icarus Drowned,” a short story published previously on this site.

The anthology will feature short stories and other works by award-winning authors including Mike Barretta, Marianne J. Dyson, Sean Monaghan, K. B. Rylander, Matthew S. Rotundo, Ronald D. Ferguson, Martin L. Shoemaker, Nancy Fulda, David D. Levine, Patrick Lundrigan, David Walton, C. Stuart Hardwick, and lastly, Spider Robinson, a winner of Campbell, Hugo, Nebula, and Heinlein Awards among others. If that wasn’t an impressive collection of authors already, the Forward will be written by Astronaut Stanley G. Love.

I will be sure to post another update as soon as the book is published. The expected release date is Friday, April 19th, 2019.

frontcover2

 

Completion of my new Science Fiction book.

For my second piece of news, I’ve recently completed my latest science fiction novel! The working title is Grounded, and it rounds down to about 100k words. I’ve still got quite a lot of editing and proofing to do before I send it out to agents or publishers, but I’m very pleased with it so far. If you are interested in becoming a beta-reader, feel free to reach out to me. See the Beta-reader edition cover image and book blurb below (Note: This is a working cover just for the Beta-reader Edition. The final, published version will be much more professional, i.e. not put together in less than an hour.)

grounded cover

Working title and cover for the Beta-reader edition

back cover

Working back cover and blurb for the Beta-reader edition

Blurb:

Hundreds of lives were lost to the sky during the Fracture, the result of an experiment gone wrong. In seconds, everything and everyone within a mile of the research facility became completely and irreversibly weightless.

In the aftermath, Kyle and the other survivors are given the chance to join a new space program. With New Heights, they will embark on an expedition to the sky and beyond without gravity to hold them back.

But to make it through training, Kyle must contend with a diverse and inexperienced crew, some of whom want nothing more than to see him fail.

 

I’ve planned for this to be the first book in a series, with subsequent books taking Kyle and the crew of New Heights to Earth’s upper atmosphere, the Moon, Mars, and even to float on the clouds of Jupiter and Venus. I mean, why not? If you no longer felt the pull of gravity, where would you go?

Until next time, Write Well and Science Hard.

My 2018 Reads – The year of LitRPG

2018 was by far my biggest reading year. Based off my Audible and Goodreads account, I believe I read around 90 books. That’s an average of nearly two books a week. So if the average audiobook is 10-14 hours, that means I spent about 3 hours a day listening to an audiobook, or nearly 20 percent of my waking hours.

I might have an addiction.

Here’s the breakdown of the genres:

pie chart reads

47.8% LitRPG
22.8% General Science Fiction
19.5% Military Science Fiction
4.3% Science Fiction- Comedy
3.2% General Fiction
1.1% Post-Apocalyptic
1.1% Fantasy

 

The LitRPG Genre.

Before 2018, I hadn’t read more than a handful of LitRPG books, but this year, I read over 40. Something about this genre really hooked me. If you are unfamiliar with the genre, that’s not a surprise. It’s relatively new to the publishing scene.

These books are usually a strange combination of fantasy and science fiction wherein the protagonist enters a virtual world by some means and needs to level up their character, learn skills, and improve their stats, before they ultimately face the antagonist. I’ve never been a huge gamer, which proves you don’t have to be in order to pick up this genre.

These books take character development to a whole new level. Their skills are defined and upgradable as are their physical and mental stats. Each can be improved predictably by practicing, completing quests, or by killing a few beasts (mobs). The same goes for items. Characters can know exactly how much damage a sword will do, what it’s made of, and if it has any special modifications or attributes just by picking it up and examining it. The typical loot system, wherein items or coins drop with every monster killed, also provides a sense of immediate gratification following conflict.

Of course, like any other genre, some of the books I’ve stumbled across were pretty bad or amateurish. To save you the trouble of having to sort the good from the bad, I’ve listed my top ten favorite LitRPG series, ranked from my favorite (#1) to my least favorite but still recommended (#10):

#1- The Land Series by Aleron Kong

A man is sucked into a fantasy world of pixies, sprites, dwarves, and other races. He learns that game mechanics are an actual law of the land, and so he plays it like he would any other game, often getting in over his head as he levels, gains skills, riches, and tries to build a settlement in the middle of the forest. These books are well written and fun, but the main character moves from one quest to another so quickly and often fails to complete them, it can be a bit annoying. Additionally, the main character can sometimes come across as sexist and overly macho.

#2- The Ritualist and Regicide by Dakota Krout

This series is very typical of the genre. It has a rough start, but gets better when the main character finally enters the virtual world. He picks up a very uncommon magical ability that sets him apart from the other mages, which they don’t take well. Uncovering conspiracies and overthrowing powerful people are just a prelude to a bigger quest, to save the entire human race.

#3- The Divine Dungeon Series by Dakota Krout

This is a very unique spin on the genre, told from the perspective of a living dungeon. It must evolve, create creatures, and drop loot, all in an effort to draw more adventurers in. Because if they die in him, he gets their power. You soon learn, however, that he is a unique dungeon, and forges cautious alliances with humans in order to combat greater threats.

#4- Threadbare Series by Andrew Seiple

When an animator creates a new type of golem, he is disappointed in the results. Thinking he’s just created another stupid, living toy, he gives it to a girl as a gift, who soon discovers this stuffed teddy bear, is anything but stupid. It is now sentient, and can level and grow in skill just like a human can. She helps him grown until she is taken from him. Now it’s up to a teddy bear to save her, and while he’s at it, he might as well save the rest of the realm too.

#5- Eden’s Gate Series by Edward Brody

Logging in to a game for the first time, the main character finds that he has been trapped there, along with everyone else. Death would prove fatal, so he has to increase his strength and make allies to stay alive.

#6- Life Reset by Shemer Kuznits

When the main character is transformed into a level 1 goblin by a magic scroll, he vows to raise a goblin army and take revenge. Except keeping his goblin character could prove fatal to him in real life. With the help of one of the games AIs he has to speed level as quickly as possible to avoid that fate.

#7- The Dark Herbalist Series by Michael Atamanov

Beta testing a new game for a little bit of pay, the main character is forced to become a goblin herbalist. Except he’s inherited a few attributes no other players have, and he uses them to make himself one of the top players in the game, securing wealth so that he and his sister can have a better life in the real world.

#8- Awaken Online Series by Travis Bagwell

The main character doesn’t have a great life, all things considered, and soon he finds himself kicked out of school and with loads of free time to play a new game. He soon discovers that real life has a way of catching up to him in game, especial since he’s gone and made a name for himself. Not as a hero, but as a villain.

#9- Ascend Online by Luke Chmilenko

Able to enter the virtual world for days at a time, a group of friends decides to login together and start a guild. Except the main character didn’t appear where he was supposed to. When his friends come to find him, they see he’s found the ideal place to set up their guild, so long as they can defend it from everyone else.

#10- Viridian Gate Series by James A Hunter

An asteroid is headed to Earth, and the only escape, for those who can afford it, is to download their consciousness into a virtual world. Except this virtual reality is run by those who paid to play, and their wealth gives them a huge advantage over everyone else. The main character doesn’t want to live under their rule, so he decided to revolt, but he’s got very little resources to work with.

 

The other great books I read last year.

All-in-all, the LitRPG genre was a fun diversion from my usual reads, but the genre might not be for everyone. That said, here is a list (in no particular order) of some of the other books (non-LitRPG) I read last year that I really enjoyed:

Terms of Enlistment: Frontlines, Book 1 by Marko Kloos

Lines of Departure: Frontlines, Book 2 by Marko Kloos

Angles of Attack: Frontlines, Book 3 by Marko Kloos

Chains of Command: Frontlines, Book 4 by Marko Kloos

Fields of Fire: Frontlines, Book 5 by Marko Kloos

Points of Impact: Frontlines, Book 6 by Marko Kloos

A Gift of Time by Jerry Merritt

Semiosis: A Novel by Sue Burke

The Long Way to a Small, Angry Planet by Becky Chambers

Leviathan Wakes by James S. A. Corey

Mogworld by Yahtzee Croshaw

The Singularity Trap by Dennis E. Taylor

Saturn Run by John Sandford Ctein

The Three-Body Problem by Cixin Liu

The Stars My Destination by Alfred Bester

Sea of Rust: A Novel by C. Robert Cargill

The Reluctant Adventures of Fletcher Connolly on the Interstellar Railroad by Felix R. Savage

Not Alone by Craig A. Falconer

Brilliance by Marcus Sakey

2001: A Space Odyssey by Arthur C. Clarke

Level Five by William Ledbetter

Influx by Daniel Suarez

The Naturalist: The Naturalist, Book 1 by Andrew Mayne

Planetside by Michael Mammay

Stranger in a Strange Land by Robert A. Heinlein

Legion: The Many Lives of Stephen Leeds by Brandon Sanderson

Quarter Share: A Trader’s Tale from the Golden Age of the Solar Clipper, Book 1 by Nathan Lowell

Half Share: A Trader’s Tale from the Golden Age of the Solar Clipper, Book 2 by Nathan Lowell

Full Share: A Trader’s Tale from the Golden Age of the Solar Clipper, Book 3 by Nathan Lowell

Double Share: A Trader’s Tale from the Golden Age of the Solar Clipper, Book 4 by Nathan Lowell

Captain’s Share: A Trader’s Tale from the Golden Age of the Solar Clipper, Book 5 by Nathan Lowell

Owner’s Share: Trader’s Tales from the Golden Age of the Solar Clipper, Book 6 by Nathan Lowell

In Ashes Born: A Seeker’s Tale from the Golden Age of the Solar Clipper, Book 1 by Nathan Lowell

To Fire Called: A Seeker’s Tale from the Golden Age of the Solar Clipper, Book 2 by Nathan Lowell

The Last Tribe by Brad Manuel

Rookie Privateer: Privateer Tales, Book 1 by Jamie McFarlane

You’re Going to Mars! by Rob Dircks

Where the Hell is Tesla?: A Novel by Rob Dircks

 

Please feel free to leave your own recommendations. I’ll need all I can get if I hope to read just as many books in 2019.

 

green beakerblue beakerred beaker  Happy New Year! green beakerblue beakerred beaker

Enclosed Ecosystem Writing Prompts and More: PSIF and NaNoWriMo

NaNoWriMo is fast approaching, which means all around the world, writers are scouring the internet for inspiring writing prompts. Many of them will bite off more than they can chew in an attempt to turn those prompts into realistic and scientifically-plausible stories.

Well you’ve come to the right place. I have prepared a few writing prompts with a list of scientific problems you might need to consider as you write. If you lack the scientific training, never fear, expert advice on writing with authenticity is available in the new book, Putting the Science in Fiction. My own article in the book will talk you through creating realistic Enclosed Ecosystems and Life-support systems, and the following prompts will have the same theme.

Gone rogue

Prompt 1: Gone Rogue

  • An object with a powerful gravitational attraction passes through our solar system. By all calculations, the perturbation will eject Earth from the solar system, making it a rogue planet, destined to drift through the emptiness of space for the foreseeable future. How much time does humanity have to prepare before the great freeze sets in? Would your characters hunker down and try to survive, or leave the Earth behind? Either way, you would need a habitat capable of sustaining human life indefinitely.

Considerations:

  • On a frozen planet far from the sun, the atmosphere would soon freeze and fall out of the sky, and all flowing water will solidify, making solar, wind, and hydroelectric power useless. About the only source of power and heat will be from natural gases and fuels, fission or fusion, and geothermal power.
  • With the freezing temperatures and plummeting atmospheric pressure, your enclosed ecosystem will need to be insulated and shielded from the cold vacuum by thick walls or built far underground.
  • The larger the enclosed ecosystem, the less likely it is to collapse. This will require a variety of animals, plants, and microorganisms to sustain the atmosphere, provide food and nutrition, and recycle wastes.
  • On the plus side, all of Earth’s resources have been cryogenically preserved. A scavenger in a hardy enough space suit might just be able to find edible food and usable supplies, assuming they aren’t all covered by meters of oxygen and nitrogen snow or rendered useless due to thermal stresses.

Lock Down

Prompt 2: Lock Down

  • Your characters are stranded in a large fallout shelter as nuclear war rages outside. How many people can it support and for how long? What will they need to survive?

Considerations:

  • The facility will need some way to remove the radioactive fallout from the air if it is vented in from outside, or a means to recycle the carbon dioxide within the facility and replenish oxygen. Plants under grow lights can help with this.
  • Water vapor might quickly wick away into the porous concrete of the shelter. Putting up plastic sheeting and having a condenser of some kind will keep this valuable resource from being lost. Alternatively, people in radiation suits can go in search of food and water, but only sealed containers can be trusted not to have been contaminated by nuclear fallout. Read my previous post “The Science of Killing your Characters,” for some background on radiation poisoning.
  • The power source will need to be self-sustaining, but the sun might not reliably penetrate the now-pervasive clouds of ash. Wind, hydroelectric, or nuclear power may be your only viable sources or electricity. Gasoline for generators would need to be scavenged on a regular basis.
  • People forced into close quarters can do unexpected and terrible things, especially after the trauma of the apocalypse. An established leadership, laws, and consequences will help limit keep chaos at bay. Conversely, love and relationships will blossom in time, but they can bring their own complications.

Mass Balance

Prompt 3: Mass Balance

  • Rather than a costly endeavor of launching building materials into space, your characters plan to build a space station by send a single, small rocket with a few crew to intercept an asteroid. There, your character will mine the raw materials to build a much larger and sustainable space station. What type of asteroid will they need, and what can they build with its components. How will they convert it to a usable form? What is their overall goal?

Considerations:

  • To sustain a large space station, mass balance needs to be preserved, meaning your characters can’t just throw things out the airlock without a means of replacing it. Otherwise they will run out of materials quickly. Luckily, they have an asteroid to pick apart, supplying water and thus liquid oxygen and hydrogen fuel, as well as all kinds of common and rare metals. Things like plastics and some specialized components must be strictly recycled.
  • The type of asteroid is important. A C-type asteroid has a relative abundance of water and carbonaceous minerals, but has a scarcity of metals. Carbonaceous minerals aren’t all bad, especially if it can be used to synthesize carbon nanotubes, graphene sheets, or used as a component of soil or fertilizer. S and M-type asteroids have more stone and metals, respectively, but less water.
  • An enterprise like this one will require a lot of power, especially if there is smelting to be done, water to convert to fuel, or high-tech computers to manage it all. For a power source, they will need something sustainable and replaceable. Solar arrays are a likely candidate, but it will provide less power the further away from the sun the space-station gets.
  • Heat can accumulate in an enclosed ecosystem, even in the cold of space, especially if there are all kinds of heat generating people and equipment around. A radiator system can help collect the heat inside the station and release it as thermal radiation out into space.
  • Air circulation and filtration will be required to filter out floating debris and contaminates, capture water vapor, and prevent stagnation in micro-gravity.
  • Lastly, some type of artificial gravity may be required to prevent the long-term health effects of micro-gravity. See fellow PSIF contributor, Jamie Krakover’s post, as well as my previous post on “The Science of Gravity.”

Putting the Science in Fiction

Science and technology have starring roles in a wide range of genres–science fiction, fantasy, thriller, mystery, and more. Unfortunately, many depictions of technical subjects in literature, film, and television are pure fiction. A basic understanding of biology, physics, engineering, and medicine will help you create more realistic stories that satisfy discerning readers.

9781440353383-768x1178

Putting the Science in Fiction brings together scientists, physicians, engineers, and other experts to help you:

  • Understand the basic principles of science, technology, and medicine that are frequently featured in fiction.
  • Avoid common pitfalls and misconceptions to ensure technical accuracy.
  • Write realistic and compelling scientific elements that will captivate readers.
  • Brainstorm and develop new science- and technology-based story ideas.
  • Whether writing about mutant monsters, rogue viruses, giant spaceships, or even murders and espionage, PSIF will have something to help every writer craft better fiction.

Putting the Science in Fiction collects articles from “Science in Sci-fi, Fact in Fantasy,” Dan Koboldt’s popular blog series for authors and fans of speculative fiction. Each article discusses an element of sci-fi or fantasy with an expert in that field. Scientists, engineers, medical professionals, and others share their insights in order to debunk the myths, correct the misconceptions, and offer advice on getting the details right.

Much of these scientific considerations in this post apply to all sorts of unique and interesting scenarios, like a sudden ice age, a super volcano eruption, an expanding sun, or settings like Arctic research facilities, Mars, or the rings of Saturn, to name a few. I encourage you to come up with your own and share it with the rest of us. Leave comments, ask questions, and let us know of some scientific considerations I may have missed. If these prompts weren’t quite what you were looking for, check out #PSIF on Twitter or click here throughout the month for more prompts by PSIF contributors.

Additionally, you can now enter to win a copy of Putting the Science in Fiction from Writers Digest. Enter the giveaway below!

a Rafflecopter giveaway

While it’s easy enough to write a compelling story without doing your research, it will always lack something. Hard science fiction adds an element of awe, the knowledge that such astounding, beautiful, and seemingly magical things might actually be possible. It inspires scientists and readers alike to put their imaginations to use in the real world, to bring what was once science fiction one step closer to reality.

So until next time, Write Well and Science Hard.

Writing Update-October

fall-in-seattleIt is Fall, a beautiful time of year in Seattle. All the leaves are changing color, and the days are either rainy, sunny, or a bit of both.  I wish I could blame the weather for the late writing update this month, but the truth is, I just forgot. I do have some fun blog posts planned, but you will have to wait till next week to see them.

My works-in-progress.

The thing I love most about this blog is that it allows me to research dozens of topics I would otherwise have no reason to research. In so doing, it has given me more ideas than I know what to do with. These ideas have found their way into my writing and into the outlines of several new works in progress.

In case you missed it in my last post, I am working on a new story called Grounded (working title). Quotidian is more dystopian than sci-fi, but Grounded is very sci-fi. You can read the blurb here. It will be set in the near future, just like Quotidian, but unlike Quotidian, it will be chock full of science and innovation. It has been fun learning all about orbital mechanics and buoyancy and speculating about what will change when gravity has been eliminated. I have even consulted with my uncle, who works for NASA. You will be hearing more about this project in the near future.

Editing.

Quotidian is coming along slowly. In my August update, I had planned to make it through several rounds of edits and several drafts by the end of the year, but I am still wading through the current draft. The hardest part it deciding what stays and what goes. If a subplot doesn’t contribute much to the overall story, character development, or setting, I eliminate it. Unfortunately, this means I have to comb through the draft and remove all mentions of it. The earlier the subplot is introduced, the more there is to eradicate as the story progresses.

Typically writers fall into one of two categories: underwriters and overwriters. I think I am an overwriter, but not to the extreme. As I am editing, my word count is shrinking, but not by much. I think I outlined it well enough that there isn’t a whole lot of extraneous exposition or excessive subplots.

I usually write my entire story as one Word document. It is easier to keep track of the drafts that way verses having a Word document for each chapter. I regularly make new versions of the same document with a new save date to ensure, if I lose one copy or make a significant change, I can return to a previous version if necessary. This has resulted in a huge file of documents over the years. I love graphs, so I plotted the word count for each of my document versions over time to get an idea of my writing pace and speed:

quotidian-word-count

Word count for Quotidian

The book started relatively high in word count, but this was mainly due to all the notes, outlines, and about a chapter or so of actual story. It was pretty slow to get started because I was finishing Book 2 of the Abyssian. I didn’t start making headway on Quotidian until the end of 2014. Of course, this didn’t last long. I had to graduate. The next several months were spent writing my dissertation and graduating. I started my postdoc about a week after my last day in grad school, and that week was spent packing my bags, leaving Alabama behind, and traveling across the country to Seattle. Once in Seattle, the setting for Quotidian, I felt much more inspired. During the day, I was in lab, but afterwards I would find a quiet place in some nearby café or bar and write, nearly every day, until I completed Quotidian. Now I am in the editing phase, and I am really missing the daily writing. I have since started Grounded, but juggling both is making editing and writing progress pretty slowly.

Thankfully, I get quite a lot of editing and feedback from members of Critique Circle. On this website, I post chapters to my private queue, and my queue members read and critique it. I only have 16 chapters posted so far, but will be putting all of them up by the end of the year. In addition to finding me some alpha readers, CC was able to generate some pretty cool stats for my posted chapters:

readabilityadjectivesnounspronounsadverbsverbsprepositionsdeterminersdistinct-wordsdirect-speech

The readability stats indicate what grade level the reader needs to have in order to understand each chapter. Mine is pretty standard for a book targeting a broad audience, I think. The other stats give me assurance that my writing style isn’t dramatically changing throughout the story, and they show me where I am heavy on description or dialogue. I highly recommend CC to other aspiring writers. When I get into some other editing software, I will be sure to post my reviews and recommendations.

As a side note, I was thinking about starting up a scientific consultant service to cater to writers’ specific story needs. I would probably do this service for free, unless demand rises rapidly. So if you are having trouble figuring out the science involved in your story’s unique context, or if you simply want someone to help you brainstorm, please feel free to contact me. I will likely not be an expert in the topic you need help with, but I do enjoy researching new things.

I am also happy to take suggestions for future blog posts. Any topic related to improving the accuracy and believability of science in science fiction is preferred.

That’s all for today. Back to writing… and editing, I guess.

My publications (so far)

It wasn’t until midway through my first novel that I began to think about publication. I was in my early twenties, and didn’t know anything about it. Like most writers, I slowly began to educate myself on the different types of publications and the process of becoming published. After nearly ten years, I still have a lot to learn, but I am happy to say that since I began taking writing seriously, I have gained a bit of practical experience in publishing.

Publishing my own words and ideas is a very fulfilling process. It isn’t the same as relating your day-to-day experiences to friends on Facebook. Face it, nobody really cares what you ate for breakfast. This fulfillment comes from communicating an idea, an emotion, a complicated theory, a story, or some other form of insight about the world that few people would have readily come to on their own. While writing is fun, I am not one of those writers who claim to write for themselves. Words were made to communicate, and communicating with yourself seems a little pointless to me.

Ideas are like viruses and words are their genetic code. When someone is exposed to an idea, it sometimes takes hold, and that person becomes a carrier, propagating that idea to other hosts. I want my ideas to reach people, to spread, to replicate like a virus. Not all ideas are dangerous, and some can change peoples’ lives for the better.

Here are a couple of the ideas and stories I have already released into the world. Many of them will not spread, but I hope they will affect (infect?) some people eventually.

My stories.

Speaking of viruses, the latest of my published stories was about a virus that destroyed people’s self-control and drove them to violently seize anything they desired. The possessive irrationality would not leave them until they had what they wanted and hid it away in a secret hoard. The young protagonist must fight to survive among the Hoarders, but even the uninfected are not to be trusted. This short story is called Want, and I published it with my writers group, Alabards, as a part of a horror anthology.

In the first book of our anthology series, I published a short story called Blue and Green Horizons. This story is about a man who had become a paraplegic in the past year due to a sky-diving accident. He has very little memory of the incident, recalling only the blue and green horizon as he leapt from the plane. He still has no idea why he deployed his parachute so late. The story takes place on a trip to a friend’s wedding. They are taking the train because he doesn’t feel comfortable on planes. When the train derails within a tunnel, he is the only one who can save the other passengers, but first he must fight his own insecurities and come to terms with his disability.

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Off-kilter and Off-kilter2 available on Amazon

This isn’t my only experience in the area of self-publishing. For the past few years I have been printing beta-reader novels through Lulu. The only difference is that I chose not to assign it a ISBN or make it available to anyone else but me (technically it’s never published). I highly recommend this method for beta-reading as it allows the readers to see the book in their hand and in a professional format. If you choose to self-publish (I haven’t decided yet), then it will also allow the readers to comment on format and cover design. I also suggest inserting a couple of questions at the end of each chapter in the beta-reader version. This will allow the reader to jot down their impression for each chapter rather than try to recall everything at the end. I am currently preparing my novel Quotidian this way. It will be ready for beta-readers early next year. Please contact me if you wish to be a beta-reader.

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The working cover and title for my latest book. Seeking beta readers.

My laboratory notebook.

A couple years ago, I was in my last year of graduate school and I got fed up with the laboratory notebooks currently available. I liked to outline my experiments by making a flow-chart first, then I would write down the protocol, and then I could record and paste the results. No one laboratory notebook was organized in such a way and nor did they have dedicated spaces for a table of contents, title, dates, signatures, etc. So I decided to make my own.

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The back and front of each page. Available on Amazon and Lulu

After designing the lab notebook and ordering several for my lab, I reached out to the founder of several private schools in Atlanta. Her science lab needed just such a lab notebook. I made a few changes to the format and added her school’s logo to the cover (a cover that can easily be personalized and decorated), and so far they have ordered hundreds of copies for their kids. “They are a staple to the program now,” she says.

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The lab notebooks I made for the Midtown International School in Atlanta, GA separated by class and filled with the kids’ science experiments.

I would encourage all writers with some knowledge of self-publishing and book formatting to put that knowledge to work. You can make calendars, planners, cook books, etc, for your own personal use or to sell. There is no reason why anyone should be confined to publishing novels when they have all the skills necessary to dabble in other publishing formats.

My research.

I was surprised to discover that my day job also provided me with practical publishing experience. Throughout grad school and my post-doc, I have been constantly constructing, writing, editing, and then publishing research papers. Science writing is very different from fiction writing in both style, tone, and wordage, but it still requires extensive planning, editing, and communication with editors and publishers.

My largest published work is my dissertation. Anyone who has ever written one will agree that the formatting is almost as tasking as the writing.img_20160927_131022192
While my 20ish articles and reviews are something many will likely never read, they are at least reaching other researchers who can build off my research findings and theories to help probe a little deeper into the mysteries of biology and disease. According to ResearchGate, my publications have been cited nearly 200 times in other publications since 2013.

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Take home message.

With that, I will leave you with one last consideration. Building your publishing presence is just as much about quality as quantity. Just because you have written something doesn’t mean that it is ready to be released into the world. I am proud of each and every one of my publications, but I still see a lot of room for improvement. Many of my readers will see it too. So unless you are confident that you know how to format a book, design a cover, and edit a story until it gleams, I suggest you take the time to learn how or to consult with professionals. Otherwise your reputation as an author will be marred by your haste to release your stories and ideas into the world. For example, I never could have created the amazing covers that grace the front of our short story anthologies, so I reached out to an old friend and graphic designer who had the skills and eagerness to take on the project. Thank you, Matt.

There is a common mentality among authors and artists to keep everyone ignorant of the project until it is ready to be released. Perhaps it is a fear that other people’s opinions or meddling hands will corrupt it in some way. These works most often fail because nobody has any stake, interest, or investment in the project. Getting beta-readers, cover designers, editors, and other writers involved in the project, even to a small degree, will link them to the project. These people will be the ones to help market the book once it is published because they can proudly say they read it before anyone else, helped edit it, etc. It can only benefit the author to bring others into the fold, especially if it means a more polished and marketable product.

The misinformation perpetuation

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In a previous post, I spoke about how essential communication was to the survival of our species. In the critical stages of our evolution, when humans were few in number and they could not glean information from a device in their pocket, misinformation meant death. Give someone the wrong directions, and they will walk into a swamp or get turned around in a frozen tundra. Inadequately describe an edible mushroom or berry, and the next time you go check on your neighbor, you’ll find them dead. These instances still occur today, but less frequently due to the ease at which we can access validated information. But this has also made us lazy and we often assume information comes from a reliable source.

In Science-

Misinformation in research journals has a toxic effect on science. All it takes is one publication to slip through the cracks and suddenly, anyone who reads that article and doesn’t know better, will now be a source of misinformation to the rest of their colleagues. Misrepresentation of a biological process, data fabrication, misuse of terminology, or even a misinterpretation of a theory, can spread unchecked in scientific journals until it becomes an epidemic. Billions of dollars have been wasted on the experiments that resulted from this misinformation.

In Movies-

In the entertainment industry, this isn’t called misinformation, it’s called ‘artistic license,’ and it gives the industry the ability to alter, fabricate, and withhold any and all information for the sake of entertainment. Everyone who has watched a movie will have seen a 5 gram bullet knock a 90,000 gram individual back a few yards. Aren’t grenades supposed to explode in a huge fireball? Of course we all know that heroes can dodge every single bullet shot at them, that scientists can cure every disease with just a microscope, and that sound is easily carried through the vacuum of space. These examples have the desired dramatic effect, but don’t we owe it to our audience to avoid perpetuating these inaccuracies?

In Writing-

There is a lot of misinformation between writers that is given in the form of advice. Many new authors will hear this information and treat it as fact and be very vocal about ‘the rules’ on most writing forum. We have all heard the writing rules, but the truth is, there are none. Writing is very subjective. Unless you write in a made-up language, or completely disregard grammar, you will likely find someone who is interested in your book. What works for some might not work for others. Even this writing advice is completely subjective. Separating fact from opinion is much more difficult in this industry than in science. It is generally a good idea to listen to the advice and learn ‘the rules,’ even if all you intend to do is break them.

How to overcome misinformation-

What do you do if your entire plot is built on inaccurate science? Despite my assertions that many things can be explainable with science and that writers don’t have to break the laws of reality in order to achieve their plot goals, there are certain things you can’t explain with science, but work as decent plot devices. For example, there is no possible way for a mutation to cause an individual to grow fur, muscles, and claws within seconds. Biology doesn’t work that fast on the macro scale. But then we wouldn’t have werewolves. There is no scientific basis for telekinesis or turning a deck of playing cards into flying explosives, but then you wouldn’t have the X-men. Warp drives, or anything that can travel faster than light, violates causality and many laws of physics, but it is the only way to move spaceships quickly from one star-system to another. So, depending on where you stand in the hard or soft sci-fi category, your plot might be limited by the laws of science.

When writing other forms of fiction, however, research and accuracy rarely limits your creativity. Not only will readers appreciate your adherence to fact, many will have learned something. When a reader recognizes an incorrect statement in your book, they will be shaken out of the story. Some reader will even think less of you, especially if it concerns something they are passionate about. If your main character is a lineman who repairs power lines for a living, make sure you research their standard practices and the correct terminology. If you have a character hack a database, make sure you actually use correct computer terms and give plausible scenarios. Anything from the process of making cheese to the appearance of a flame in zero gravity, make sure you have the facts, because chances are someone will know more than you. This is why they say to “write what you know,” because that is the tried and tested method to write a believable story. This doesn’t mean I should only write stories about a caffeine-addicted scientist who spends way too much time on the computer, it means I should educate myself on a topic before writing about it.

The higher purpose of a writer-

People read books for entertainment, but shouldn’t they gain more than a few hours of enjoyment? Teaching your readers something is easy if it is done right. Long paragraphs explaining the mechanics of an internal combustion engine will have your readers dozing, but a dialogue between father and son as they work on a common hobby will feel more natural and realistic. Better yet, have the son damage the engine, and show the suspenseful process of him trying to repair it before his father comes home. Your reader might not even realize that they’ve learned something.

If you point out the what-ifs, things that might actually happen given our current understanding of the world, you can inspire your reader as well as educate them. In my opinion, that is where speculative fiction is at its best. Ever since the ideas of space elevators, solar sails, ion engines, and hover cars were popularized, huge advances in research and engineering have brought them so much closer to becoming a reality. Many of the scientists I know today are big science fiction fans, and many of them entered the field because books and movies first inspired them to learn more and to create something. How disheartening would it have been for them to make it all this way only to find out that the thing that inspired them had no basis in science or reality, that it was based on fabricated information and flawed from the start.

I originally created this blog to help encourage others to look to science to inspire their writing, but another major hope of mine is that their writing will inspire science. Putting science aside, the accurate portrayal of events, the coverage of a controversial subjects, and calls for change, can all inspire action in your readers. That is how we as writers can effect real change in the world.