The creativity proclivity


As writers, we have a penchant for creating things. Seeing something of your own imagination brought into the world provides such a sense of satisfaction that, for many of us, it has become a drug. When we need a fix, we simply pull out our computers or notebooks and let our imaginations spill out onto the page. We can create entire worlds and cultures, magic, and new laws of science, but sometimes we encounter writer’s block, or the act of writing is no longer enough to satisfy the craving. To keep withdrawal from setting in, many of us seek a creative outlet in the real world. If you suffer from this creation addiction, here are some tips on how to expend your pent-up creativity in a safe and productive manner.

Arts and crafts

One of the easiest ways to sate your creative impulses, is to take up arts and crafts. This includes any hobby that involves the creation of objects, not the intangible ones to which we writers are accustomed. Whether it involves glue, thread, needles, wood, metal, or glass, or paint or graphite, these mediums can be used to exercises your inner creative muscles.

I have tried my hand at lampwork (melting glass with a torch), pen making, sculpting, whittling, mold making and casting, and many more. But for me, the most satisfying form of arts and crafts is etching. I have etched images and text into metal (saltwater etching and electroplating), glass (chemical) and wood (wood burning), and even cloth (screen printing).


An aluminum saltwater etching I made for a friend, quoting the Space Wolves Catechism from Warhammer 40K

Until recently, I have been doing this the hard way, but I came across this laser etching service called Ponoko, where I can have all kinds of materials laser etched to create key-chains, jewelry, game pieces, prototypes, etc.


Insect wings cut and etched into acrylic by Ponoko. I gave these to my girlfriend who enjoys making earrings.


Leather key-chains with a P kissing an M for me and my girlfriend, Megan.


There is no creation as immediately gratifying as food. While you can enjoy food cooked by anyone, that urge to create something is not satisfied unless you do it yourself. Heating a microwave dinner or mixing a couple ingredients provided in a box don’t count. I don’t have a wealth of culinary skills, but I do like to experiment in the hopes of coming up with a new taste. I get the most enjoyment out of cooking something from scratch. Take a pizza for example. It takes no creative effort to order one or heat it in the oven. Instead, try making the dough yourself (water, yeast, flour, and some sugar and salt), the pizza sauce (tomatoes, salt, and herbs), and then cheese and toppings. I’m proud to say that I’ve made an entire pizza from scratch a few times, including the cheese. I hope that one day I will be able to plant, reap, and process my own grain into flour, too. Want an adult beverage with your pizza dinner, stop by a home-brew supply store and brew your own wine, beer, mead, or cider.

Growing your own herbs, fruits, and vegetables is also a rewarding process. Even if the plants are decorative, allowing them to flourish provides the same sense of accomplishment.

Creating with friends and family

If you are a mother or father, congratulations, you have successfully brought life into the world, you are a creator. I do not advise expending your creative urges in this manner all the time, however. Instead, try the following collaborative projects:

– coming up with stories at bedtime

– create your own board or card games

– start a band and write music

– come up with science fair projects

– have art projects or arts and crafts nights

– play Minecraft or other sandbox games

– DIY projects around the house.

At work

If you have a job where you are paid to create (e.g. engineer, artist), then you probably aren’t lacking in creative outlets. In the lab, I get to make figures and schemes and presentations to accompany my research data. For many of you, there will be many opportunities to exercise your creativity at work. You can volunteer to put together a logo, a presentation, a memo, an advertisement, or anything else that requires a bit of imagination and implementation. If your job doesn’t offer those kinds of opportunities, it can be as simple as making cookies for your colleagues, customizing cards for special occasions, or decorating office space or attire, designing a business card with interesting graphics, or printing t-shirts for company getaways.

I once made a motivational poster of my boss peering down the barrel of a Nerf gun, with the words “stay focused” written beneath. Soon, everyone in the lab was requesting motivational posters with their own sayings. I also cultivated a line of petri -dish Jade bonsais that have since been spread to multiple labs as a window seal decoration.


To supplement your writing

Of course, these creative projects should not impinge on your writing time, marketing, or other author responsibilities. However, you can supplement your writing with these creative projects to help sell your brand. You can focus your arts and crafts on making things specific to your fantasy or scifi world. If you describe a piece of jewelry or attire, try to make it. If you have a saying, motto, or logo, or book cover, print it on t-shirts, mugs, poster, etc. Perhaps you can sell these items on your website, or offer them as giveaways. That way when people show off these items, it will further advertise your book. You can even draw sketches of your characters, paint a scene, draw a map, or design a cover for your book.  Do you make music and have a bunch of audio equipment? Turn your novel into an audiobook. If you like to cook, make the dishes you describe in your world and write a cookbook. Not only will you be able to describe the taste of such a dish in detail, you can describe the making of it.


A leather cover for the first round of edits of my first book.

It is difficult to be creative in today’s world; everything is made for us, processed within an inch of unrecognizable and provided with instructions as simple as “just add water.” It is no wonder the simple process of creation eludes many of us on a day to day basis. Writing can only satisfy our addiction for so long before we begin drawing inventions on the back of napkins or building a castle of epic proportions on Minecraft.

Are you an creation addict? How do you expend your excess creativity?

Finding that novel novel idea

logo book

“That sounds like a book I once read.” You’ve all heard it and it puts a damper on any enthusiasm you’ve grown for your literary creation. It might be gratifying if they speak of style and execution, but who gets flattered by being told their work is unoriginal?

Cynics often say that everything has been written before, that no idea is a new idea. But with 26 characters in the English language, over 250,000 distinct words, not to mention all the subtle changes in context or meaning, and a near infinite way to arrange them, there are more possible ways to write a book than there are atoms in the known universe. So why are so many stories similar? The short answer, if you want your story to make sense and be relatable and captivating, you have to write what people like to read. And unlike the universe, the human mind has a lot less empty space (for most people anyway). The brain is a large jumble of connections, turn on the right set and immediately memory of another story will stir and come to mind. You want your work to connect as many neurons as possible so that your reader will think of your book often and mention you to others.

That being said, novelty serves to make a story exciting and memorable. How many of you remember the drive to work each morning? Now what about that time you had to detour through an unknown section of town because of some unparalleled traffic accident? Your mind is excellent at discarding experiences if they are very similar to the ones already stored in your memory. Memorable is what sells a story for years. If your book doesn’t fit with the current popular trend, no problem, book markets are always in a state of change, adopting one trend and discarding another. If you write for the current market, your book will be that experience that is forgotten among all the similar ones of its kind. You probably have no chance of starting a trend of your own, instead, write something that will always be interesting and original and eventually the tides will change and your book will be swept up with it.

Originality is not in a story’s conflict, it is in the unique parts that collide to create it. These parts are the characters and setting. Strip away the setting and character from any book you’ve read and you will find that most stories look the same when so bared. The shape they take is the story arc. Clothing your story arc in an original fashion is accomplished in two steps: creating a unique setting in which the story will occur and creating the character that will stand out in it.

You should begin with either the setting or the character in mind, but preferably not both. The reason for this is simple. If you want your protagonist to be aggressive and psychologically damaged by some trauma or another and then you decide your setting should be a post-apocalyptic earth where zombies endlessly chase humans (not a very original setting FYI). You will soon find that all of your characters will need to be aggressive and psychologically damaged. How then will your character stand out? Instead, imagine the setting and then figure out how this setting will affect the lives of those in it, and then make your character different in some subtle yet memorable way. Conversely, mold a setting to accentuate your character’s strengths and weaknesses. No matter your approach, the reader expects conflict and has likely seen it all before, but insert an original setting or unique character motives and you will give them an exciting new way to experience the same story arc.

The character you make should stand out from others in one key way, their drive. This drive, or character element, should be a part of the human psyche that is both underappreciated/under-recognized and yet critical to who we are as human beings. Sound conspicuously like a theme? Good, it should. The theme should be the vehicle your character drives across the story arc, the thing that moves them, gives them strength, and protects them from buffeting wind and rain. Before they’ve even started the book, your reader has decided to join consciousness with your main character, to try to think what they think. Turn that into a memorable relationship by giving them a theme to agree with and a cause to stand behind. Straying away from the most common drives like anger, love, and greed will help grant originality. Examples of these uncommon themes are a desire for change when everyone else is rooted in acceptance, a desire for emotion when they are surrounded by apathy, conquering of fear when everyone else is cowed by it, and a desire for knowledge when everyone else enjoys ignorance. This character element provides the motive, the fuel to carry the character as well as the reader over the story arc. Be wary though, a weak drive, such as the desire for a funnel cake at the City Fair, will peter out and die the moment your character realizes it is not worth the trouble.

The setting has to be more than just a forest in Maine for you to have any chance of making something original and memorable. While your character element gives forward motion to a story, your setting should provide friction, obstacles, and other characters that seek to stop your character from proceeding forward. The setting sets the mood of the story. That seems like a lot for just one aspect of the novel, but it is this by which everyone will remember and describe your book. What good is a character’s desire to experience freedom when taken outside of the context of slavery or a prisoner of war? Again, stray away from the most common settings or at least give them unique characteristics. Instead of an alien planet, why not a rogue planet taken up by our sun’s gravitational pull? Maybe its thawing inhabitants want war. What’s more, make every aspect of your setting matter. If the power goes out in the apartment building, make it mean something; make the darkness or the inability to heat a Hot Pocket essential to the story in some way. If it doesn’t matter to the story or help set the mood, it will be forgotten.

A big mistake people make when chasing an original story is following it off the map, creating a world that is so full of original ideas that it borders on the unrecognizable, or characters with such unique strengths, weaknesses, or personalities that they become unrelatable. This is why genres exist, to categorize books for different audiences. Know the genre in which you intend to write and strive to make it original within the confines of what is expected and enjoyed. There is at least a small corner in each genre’s box that has yet to be filled.


~originally posted here