The Science of Exobiology

So you want to introduce a new lifeform in your fiction. There are many reasons to do so. A sentient humanoid can provoke your reader’s sympathy and relatability, while a vile, brainless, and flesh-eating slug can put your readers on edge. If done sloppily, however, skeptical readers will find the flaws in such a creature, and that disbelief will undermine any of your attempts to draw them into the story. You can blame biologists for always taking the fun out of your unique imagination, or you can choose to awe them with the many ways you manipulate biology into something terrifying or beautiful. After all, there are millions of weird and wonderful species on our own planet, some far more alien looking than what sci-fi authors have conjured up over the years.

The science of suspended animation: an interview

I sold my first non-fiction article! Back in January, I got in contact with Tony Daniel, the senior editor of Baen books, sent an article proposal, and signed a contract. Around the same time I won the Jim Baen Memorial Short Story award. I think it took him a couple of weeks to realize he was communicating with the same person in the two different email chains. This article was originally going to be posted last month, but he felt it was best not to publish it the same month as my short story "Feldspar." Here is the link to the article on the Baen website: "Stasis: The Future of Suspended Animation."

Interviewed by my alma mater

So this was a first. A couple weeks ago I was interviewed by my alma mater, Auburn University Montgomery, for their article series titled "WhyWeLearn." For those of you who are interested in how I came to love both writing and science, I posted the full interview here. Enjoy!

The Science of Time Travel

Time travel features heavily in speculative fiction. It provides a useful means of foreshadowing and helps to heighten suspense as the characters try to avert a looming disaster or manipulate the future for their own ends. It appeals to all of us who have ever experienced guilt or loss and want to go back and fix it. It is rife with unintended consequences and can trigger exciting conflicts. However, it is also provides a great source of frustration for writer and reader alike as they try to contend with the plot holes, paradoxes, and skewed logic associated with tampering with the fundamental laws of our universe. In this post, I will address the most common problems and paradoxes associated with time-travel, and then discuss the science of time travel.

The science of enclosed ecosystems

A Closed Ecological System (CES) is a broad term that encompass any self-sustaining and closed system in which matter does not leave or enter. These artificial habitats can be built in space, underground, or underwater, but no matter where they are, chances are they are closed for a reason. Whether it is an underground bunker in a post-apocalyptic setting, a distant planet in the early stages of colonization, or a spacecraft carrying the last remnants of humanity, the environment outside is not hospitable. To ensure long-term survival, the occupants must maintain a well-balanced air and water system, a continuous food supply, and a reliable source of energy.

The science of gravity

Writers have gone to great lengths to circumvent this fundamental law of nature. When gravity can be eliminated or overcome, new and astounding opportunities arise. Our characters can strap themselves into rockets, dirigibles, and aircrafts to view our world from amazing heights, or visit entirely different worlds.

The science of the presentation

I am posting much later in the week than usual. It was a busy week. Most of my time was dedicated to analyzing data and preparing a research presentation for a group at the university. It was in preparing the presentation that I came up with the topic for this blog post. I realized that the mechanics of giving a presentation were very similar to the mechanics of writing a book. The goal is to make it sell.

My publications (so far)

It wasn’t until midway through my first novel that I began to think about publication. I was in my early twenties, and didn’t know anything about it. Like most writers, I slowly began to educate myself on the different types of publications and the process of becoming published. After nearly ten years, I still have a lot to learn, but I am happy to say that since I began taking writing seriously, I have gained a bit of practical experience in publication.