The science of killing your characters

This is a very important subject for writers to research, not just to add realism, but because death, or rather the avoidance of it, is one of the most common motivations for characters. Pretty much every adventure, horror, mystery, tragedy, and drama story uses death or fear of death to some degree. Death is, understandably, the greatest universal fear.

Aweology

Last month I was sitting in the middle seat on a flight to Atlanta from Seattle. I fly a lot, but certainly not as much as the man sitting in the window seat next to me. At one point during the flight, he lifted the blind and peered out for a few seconds before starting to close it again. The one and only time I spoke to the man was to keep him from closing it and to ask if I could take a picture. How he could have peered out the window at such a sight without taking the time to appreciate it was beyond me.

The creativity proclivity

As writers, we have a penchant for creating things. Seeing something of your own imagination brought into the world provides such a sense of satisfaction that, for many of us, it has become a drug. When we need a fix, we simply pull out our computers or notebooks and let our imagination come spilling out onto the page. We can create entire worlds and cultures, magic, and new laws of science, but sometimes we encounter writer’s block, or the act of writing is no longer enough to satisfy the craving.

The Write Right Rite

This isn’t a post about homonyms, it’s about the rite of passage we all must take in order to become better writers, to write right. Contrary to popular opinion, people aren’t born great writers. Anyone can become a talented and successful writer so long as they possess the following traits:

The science of curiosity

I posit that curiosity is the feeling that compels us to solve problems with the ultimate goal of controlling our environment. The only way for us to have control over our environment is to learn about it. A baby explores the world by touching and tasting everything, for that is the tried and tested method of knowing if something is good or bad for you.

The science of writers’ retreats

Last Friday I left on a writers’ retreat with a couple members of my critique group to the beautiful San Juan Islands in Washington state. If you are a writer and haven’t been on a writers retreat or joined a writers group, I highly recommend it. I've been to a couple of writing retreats over the past few years, and there is a science to getting the most out of them.

The misinformation perpetuation

In the entertainment industry, this isn’t called misinformation, it’s called ‘artistic license,’ and it gives the industry the ability to alter, fabricate, and withhold any and all information for the sake of entertainment. Everyone who has watched a movie will have seen a 5 gram bullet knock a 90,000 gram individual back a few yards.

The science of making your readers hate you

Likely as not, readers won’t blame your characters for the jarring roller-coaster ride of emotion they’ve been on, they’ll blame you, the author. So why risk it? Because who wants to be on a roller-coaster with no twists and turns? There are countless reasons why readers might choose to hate an author. Here I will discuss the things that writers do on purpose, the plot devices that can make or break a novel.

The science of magic

I enjoy fantasy for the same reason as everyone else, to be taken out of our world and go on a narrated tour of the fantastical. But magic should still have logical consistency, otherwise it’s impossible for me to get fully immersed in the story.